Ruby Hughes' latest album with Jonas Nordberg and Mime Yamahiro Brinkmann is a captivating tribute to the Elizabethan master John Dowland, whose 400-year-old legacy lives on in this enchanting recording. While not exclusively devoted to Dowland's music, the album takes its title from a song by Henry Purcell and features spellbinding arrangements of Britten's Corpus Christi Carol, demonstrating Hughes' remarkable ability to channel the melancholy spirit that defined Dowland's work.
Hughes' voice stands out as a crystalline gem, imbued with a natural quality that belies its refinement. Nordberg's lute work provides a subtle yet essential foundation, while Brinkmann's evocative viols weave in and out of the mix, creating an atmosphere redolent of misty Tudor afternoons.
One of Hughes' most impressive assets is her capacity to convey emotion through nuanced expression, imbuing each word with its own distinct coloration. Her rendition of Dowland's 'Flow, My Tears' – a poignant lament that conjures the three terrible emotions of fear, grief, and pain – showcases this skill. Yet, even as she brings an unmistakable intensity to her singing, there remains a sense of space around the sound, preventing it from feeling overly demonstrative or indulgent.
This balance is equally evident in the album's other musical offerings, ranging from Purcell to Dowland's contemporaries and three new compositions inspired by Shakespeare's sonnets. All share Hughes' commitment to clarity, precision, and expressiveness – qualities that make this recording feel both timeless and remarkably contemporary.
Overall, Amidst the Shades is a triumph of understated elegance, demonstrating Hughes' remarkable artistry in a way that feels at once deeply personal and universally relatable. This enchanting album serves as a powerful testament to Dowland's enduring influence and leaves listeners spellbound by its haunting beauty and delicate melancholy.
Hughes' voice stands out as a crystalline gem, imbued with a natural quality that belies its refinement. Nordberg's lute work provides a subtle yet essential foundation, while Brinkmann's evocative viols weave in and out of the mix, creating an atmosphere redolent of misty Tudor afternoons.
One of Hughes' most impressive assets is her capacity to convey emotion through nuanced expression, imbuing each word with its own distinct coloration. Her rendition of Dowland's 'Flow, My Tears' – a poignant lament that conjures the three terrible emotions of fear, grief, and pain – showcases this skill. Yet, even as she brings an unmistakable intensity to her singing, there remains a sense of space around the sound, preventing it from feeling overly demonstrative or indulgent.
This balance is equally evident in the album's other musical offerings, ranging from Purcell to Dowland's contemporaries and three new compositions inspired by Shakespeare's sonnets. All share Hughes' commitment to clarity, precision, and expressiveness – qualities that make this recording feel both timeless and remarkably contemporary.
Overall, Amidst the Shades is a triumph of understated elegance, demonstrating Hughes' remarkable artistry in a way that feels at once deeply personal and universally relatable. This enchanting album serves as a powerful testament to Dowland's enduring influence and leaves listeners spellbound by its haunting beauty and delicate melancholy.