Australian Writers Festival Falls Apart After Cutting Prominent Palestinian Author Over "Past Statements" Following Terror Attack
A highly publicized controversy erupted after the Adelaide festival board cut prominent Palestinian Australian author Dr Randa Abdel-Fattah from its lineup, citing her "past statements" in the context of the deadly Bondi terror attack. The decision was met with swift backlash and ultimately led to an implosion of the festival.
The move sparked widespread outrage among writers, publishers, and intellectuals, who accused the board of anti-Palestinian racism and censorship. A string of high-profile figures, including bestselling author Zadie Smith, Russian-American journalist Masha Gessen, Pulitzer Prize-winning writer Percival Everett, and Australian literary icon Helen Garner, withdrew from the festival, citing their own withdrawal statements.
The decision to cut Abdel-Fattah from the lineup was made "given her past statements," the board claimed. However, many saw it as a thinly veiled attempt to silence a vocal critic of Israel. Abdel-Fattah had faced sustained criticism from Australia's conservative opposition and some Jewish groups for comments on Israel, including allegations that Zionists had "no claim or right to cultural safety."
The backlash against the festival intensified when Adelaide writers' week director Louise Adler announced her resignation in an opinion piece published in Guardian Australia. "I cannot be party to silencing writers, so with a heavy heart I am resigning from my role as the director of the AWW," she wrote.
In response to the fallout, the board ultimately cancelled the festival's 2026 writers' week and announced that it would step down immediately, except for one local council representative whose term expired in February. The board apologized to Abdel-Fattah for "how the decision was represented," but she rejected the apology as "disingenuous" and said it added insult to injury.
The South Australian government denied exerting pressure on the festival's leadership to disinvite Abdel-Fattah, but acknowledged that the cancellation of the festival was a blow to Australia's literary landscape. Adelaide writers' week is Australia's largest free literary festival, attracting over 160,000 people last year and contributing $62.6m to South Australia's economy.
The incident has raised questions about the limits of free speech and the role of censorship in public discourse. It also highlights the complexities of navigating controversy and criticism in a multicultural society. As one prominent writer noted, "Writers and writing matters, even when they are presenting ideas that discomfort and challenge us."
A highly publicized controversy erupted after the Adelaide festival board cut prominent Palestinian Australian author Dr Randa Abdel-Fattah from its lineup, citing her "past statements" in the context of the deadly Bondi terror attack. The decision was met with swift backlash and ultimately led to an implosion of the festival.
The move sparked widespread outrage among writers, publishers, and intellectuals, who accused the board of anti-Palestinian racism and censorship. A string of high-profile figures, including bestselling author Zadie Smith, Russian-American journalist Masha Gessen, Pulitzer Prize-winning writer Percival Everett, and Australian literary icon Helen Garner, withdrew from the festival, citing their own withdrawal statements.
The decision to cut Abdel-Fattah from the lineup was made "given her past statements," the board claimed. However, many saw it as a thinly veiled attempt to silence a vocal critic of Israel. Abdel-Fattah had faced sustained criticism from Australia's conservative opposition and some Jewish groups for comments on Israel, including allegations that Zionists had "no claim or right to cultural safety."
The backlash against the festival intensified when Adelaide writers' week director Louise Adler announced her resignation in an opinion piece published in Guardian Australia. "I cannot be party to silencing writers, so with a heavy heart I am resigning from my role as the director of the AWW," she wrote.
In response to the fallout, the board ultimately cancelled the festival's 2026 writers' week and announced that it would step down immediately, except for one local council representative whose term expired in February. The board apologized to Abdel-Fattah for "how the decision was represented," but she rejected the apology as "disingenuous" and said it added insult to injury.
The South Australian government denied exerting pressure on the festival's leadership to disinvite Abdel-Fattah, but acknowledged that the cancellation of the festival was a blow to Australia's literary landscape. Adelaide writers' week is Australia's largest free literary festival, attracting over 160,000 people last year and contributing $62.6m to South Australia's economy.
The incident has raised questions about the limits of free speech and the role of censorship in public discourse. It also highlights the complexities of navigating controversy and criticism in a multicultural society. As one prominent writer noted, "Writers and writing matters, even when they are presenting ideas that discomfort and challenge us."