Bad Omens' latest UK arena tour has kicked off with a bang, showcasing the US metalcore band's anthemic sound and elaborate visuals. Formed in 2015, Bad Omens have made significant strides since their third album, The Death of Peace of Mind, which caught mainstream attention in 2022. Their fourth studio album is yet to be released, but this tour solidifies their status as a force to be reckoned with alongside genre peers like Bring Me the Horizon.
The setlist is a masterclass in eclecticism, blending metal with elements of industrial, electronica, and drum'n'bass. Lead vocalist Noah Sebastian's vocal range is impressive, effortlessly shifting between croons, screams, and whispers. He even pays homage to fellow artist Poppy on their collaborative single VAN. The band's willingness to lean into pop sensibilities has been key to their mainstream success, evoking the likes of The Weeknd's R&B-infused soundscapes.
Drummer Nick Folio deserves special mention for his dynamic performance, balancing visceral intensity with expansive resonance. However, despite this impressive technicality, there's an undeniable air of detachment on stage. It feels more like a well-oiled machine rather than a cohesive unit, with Sebastian struggling to connect with the audience.
As the setlist is largely rooted in metal, it's clear that Bad Omens are still finding their footing in the arena environment. The big-venue nerves are palpable, and the lack of chemistry between band members makes for an awkward spectacle. Even when Sebastian asks the audience if they're having fun, his own enthusiasm seems lukewarm.
The setlist is a masterclass in eclecticism, blending metal with elements of industrial, electronica, and drum'n'bass. Lead vocalist Noah Sebastian's vocal range is impressive, effortlessly shifting between croons, screams, and whispers. He even pays homage to fellow artist Poppy on their collaborative single VAN. The band's willingness to lean into pop sensibilities has been key to their mainstream success, evoking the likes of The Weeknd's R&B-infused soundscapes.
Drummer Nick Folio deserves special mention for his dynamic performance, balancing visceral intensity with expansive resonance. However, despite this impressive technicality, there's an undeniable air of detachment on stage. It feels more like a well-oiled machine rather than a cohesive unit, with Sebastian struggling to connect with the audience.
As the setlist is largely rooted in metal, it's clear that Bad Omens are still finding their footing in the arena environment. The big-venue nerves are palpable, and the lack of chemistry between band members makes for an awkward spectacle. Even when Sebastian asks the audience if they're having fun, his own enthusiasm seems lukewarm.