French Sales Company Lucky Number Boards Afghan Director Shahrbanoo Sadat's 'No Good Men' Ahead of Berlinale Opening Slot
Afghan filmmaker Shahrbanoo Sadat is set to make waves at the upcoming Berlin International Film Festival with her highly anticipated opening film, "No Good Men". Boarded by French sales company Lucky Number, the project has been generating buzz for its unique blend of comedy, romance, and political urgency.
Shot entirely outside of Afghanistan, in Germany, the film tells the story of Naru, an independent woman living in Kabul during the 'democracy' era, as she navigates a patriarchal society stacked against her. With "No Good Men," Sadat continues her strong track record on the international festival circuit, where she has quickly established herself as one of the most singular voices to emerge from Afghan cinema in recent years.
The film is inspired by the autobiographical writings of author and actor Anwar Hashimi, who stars alongside Sadat. It marks the third installment in a planned five-film cycle, with "No Good Men" serving as a poignant commentary on the deepest and most enduring problem of Afghan society: patriarchy. According to Sadat, the film seeks to challenge simplified narratives often applied to Afghanistan's recent history, instead highlighting the complexities of a society torn between traditional social mindsets and those who resist.
As the only camerawoman at Afghanistan's main television station, Naru is forced to confront her assumptions about men when she meets Qodrat, a journalist who offers her a career opportunity. The film follows their tentative romance as they crisscross the city covering what will become Afghanistan's final days of freedom, exploring the fragile pockets of freedom that women carve out for themselves within a patriarchal society.
Lucky Number has described "No Good Men" as "audacious and groundbreaking in countless ways," praising Sadat's resilience in bringing the project to completion against all odds. With distributors already on board in several key territories, including Denmark, Norway, France, and Germany, "No Good Men" is poised to make a significant impact at this year's Berlinale.
The film's risks are evident, particularly with the first onscreen kiss ever depicted in an Afghan feature, but Sadat insists that the project addresses what she believes is the deepest and most enduring problem of Afghan society: patriarchy. As Lucky Number prepares for its launch, "No Good Men" promises to be a thought-provoking and powerful addition to the Berlinale lineup, one that will undoubtedly spark important conversations about women's rights and freedom in Afghanistan.
Afghan filmmaker Shahrbanoo Sadat is set to make waves at the upcoming Berlin International Film Festival with her highly anticipated opening film, "No Good Men". Boarded by French sales company Lucky Number, the project has been generating buzz for its unique blend of comedy, romance, and political urgency.
Shot entirely outside of Afghanistan, in Germany, the film tells the story of Naru, an independent woman living in Kabul during the 'democracy' era, as she navigates a patriarchal society stacked against her. With "No Good Men," Sadat continues her strong track record on the international festival circuit, where she has quickly established herself as one of the most singular voices to emerge from Afghan cinema in recent years.
The film is inspired by the autobiographical writings of author and actor Anwar Hashimi, who stars alongside Sadat. It marks the third installment in a planned five-film cycle, with "No Good Men" serving as a poignant commentary on the deepest and most enduring problem of Afghan society: patriarchy. According to Sadat, the film seeks to challenge simplified narratives often applied to Afghanistan's recent history, instead highlighting the complexities of a society torn between traditional social mindsets and those who resist.
As the only camerawoman at Afghanistan's main television station, Naru is forced to confront her assumptions about men when she meets Qodrat, a journalist who offers her a career opportunity. The film follows their tentative romance as they crisscross the city covering what will become Afghanistan's final days of freedom, exploring the fragile pockets of freedom that women carve out for themselves within a patriarchal society.
Lucky Number has described "No Good Men" as "audacious and groundbreaking in countless ways," praising Sadat's resilience in bringing the project to completion against all odds. With distributors already on board in several key territories, including Denmark, Norway, France, and Germany, "No Good Men" is poised to make a significant impact at this year's Berlinale.
The film's risks are evident, particularly with the first onscreen kiss ever depicted in an Afghan feature, but Sadat insists that the project addresses what she believes is the deepest and most enduring problem of Afghan society: patriarchy. As Lucky Number prepares for its launch, "No Good Men" promises to be a thought-provoking and powerful addition to the Berlinale lineup, one that will undoubtedly spark important conversations about women's rights and freedom in Afghanistan.