British Museum Axes Sponsorship Deal with Tobacco Firm Amid Criticism Over WHO Framework Breach
The British Museum has effectively ended its 15-year partnership with Japan Tobacco International (JTI), a move welcomed by critics who have long accused the tobacco firm of profiting from harm. The decision comes after reports emerged that the UK government had raised concerns about the deal, which some described as "deeply troubling".
According to sources, the museum's board chose not to renew the sponsorship agreement, which ended in September, following pressure from a pressure group called Culture Unstained and media reports highlighting the tobacco company's lobbying strategy. The firm still backs other prominent cultural institutions, including the Royal Academy of Arts and the London Philharmonic Orchestra.
Critics have long argued that museums should not accept funding from companies involved in harming public health. Dr Simon Opher, a Labour MP and GP, said: "There are no circumstances in which public bodies should be legitimising an industry that profits from harm." The World Health Organization's framework convention on tobacco control bars states from advertising and promoting smoking products.
The decision to end the deal with JTI marks another blow to the museum's sponsorship arrangements, which have been a subject of controversy since 2016. That year, 1,000 experts signed an open letter calling for the museum to cut ties with the tobacco firm due to its "morally unacceptable" sponsorship.
The British Museum's decision is also seen as a response to growing calls for museums to prioritize their values and ethics in accepting funding from sponsors. The Museums Association, an industry body, recently adopted a code of ethics that expects members to transition away from sponsorship by organizations involved in environmental harm or human rights abuses.
While the museum's leadership has defended its sponsorship arrangements, saying they are essential for securing financial stability, critics argue that cultural institutions have a responsibility to prioritize their values and reputation. The British Museum's director, Nicholas Cullinan, uses two criteria when evaluating donations and sponsorships: whether the money was legally acquired and whether accepting it would cause reputational damage.
The decision to axe the deal with JTI is likely to embolden critics who argue that museums should not be tied to companies involved in harming public health. As the museum continues to grapple with its sponsorship arrangements, one thing is clear: the debate over the role of cultural institutions in promoting values and ethics will only continue to intensify.
The British Museum has effectively ended its 15-year partnership with Japan Tobacco International (JTI), a move welcomed by critics who have long accused the tobacco firm of profiting from harm. The decision comes after reports emerged that the UK government had raised concerns about the deal, which some described as "deeply troubling".
According to sources, the museum's board chose not to renew the sponsorship agreement, which ended in September, following pressure from a pressure group called Culture Unstained and media reports highlighting the tobacco company's lobbying strategy. The firm still backs other prominent cultural institutions, including the Royal Academy of Arts and the London Philharmonic Orchestra.
Critics have long argued that museums should not accept funding from companies involved in harming public health. Dr Simon Opher, a Labour MP and GP, said: "There are no circumstances in which public bodies should be legitimising an industry that profits from harm." The World Health Organization's framework convention on tobacco control bars states from advertising and promoting smoking products.
The decision to end the deal with JTI marks another blow to the museum's sponsorship arrangements, which have been a subject of controversy since 2016. That year, 1,000 experts signed an open letter calling for the museum to cut ties with the tobacco firm due to its "morally unacceptable" sponsorship.
The British Museum's decision is also seen as a response to growing calls for museums to prioritize their values and ethics in accepting funding from sponsors. The Museums Association, an industry body, recently adopted a code of ethics that expects members to transition away from sponsorship by organizations involved in environmental harm or human rights abuses.
While the museum's leadership has defended its sponsorship arrangements, saying they are essential for securing financial stability, critics argue that cultural institutions have a responsibility to prioritize their values and reputation. The British Museum's director, Nicholas Cullinan, uses two criteria when evaluating donations and sponsorships: whether the money was legally acquired and whether accepting it would cause reputational damage.
The decision to axe the deal with JTI is likely to embolden critics who argue that museums should not be tied to companies involved in harming public health. As the museum continues to grapple with its sponsorship arrangements, one thing is clear: the debate over the role of cultural institutions in promoting values and ethics will only continue to intensify.