Southbank Centre gets long-overdue listed status as 'brutalism comes of age'
A 35-year wait is finally over for one of London's most infamous buildings: the Southbank Centre. After successive governments resisted six separate proposals to list the centre, which was dubbed Britain's ugliest building by engineers in 1967, the government has agreed to give it Grade II status.
The decision marks a major victory for campaigners who have been fighting to protect the brutalist masterpiece from demolition and neglect. The Southbank Centre, designed by the architects department at the former London council council led by Norman Engleback, is now officially recognized as an important part of Britain's architectural heritage.
"It's long overdue," said Catherine Croft, director of the Twentieth Century Society (C20S). "The battle has been won and brutalism has finally come of age. This is a victory over those who derided so-called 'concrete monstrosities' and shows a mature recognition of a style where Britain led the way."
Croft pointed out that the decision ends an anomaly in which the centre was the only unlisted building in the arts complex on the south side of the Thames. The owners of the building had requested to extend an immunity from listing, but the government accepted advice from its heritage body, Historic England.
The Southbank Centre's neighbours are deemed to be of higher architectural value: the modernist Royal Festival Hall is Grade I-listed, while the National Theatre, also brutalist in style, is Grade II*. The centre itself has been praised for its "bold geometric formations clustered to sculptural effect with a correspondingly dramatic silhouette" and its use of exposed concrete.
Croft added that it was "clearly very well-deserved and long overdue". While campaigners have welcomed the decision, they are also urging the government to fund a multimillion-pound refurbishment programme for the buildings. The Southbank Centre has asked for ยฃ30m to support improvements to its infrastructure.
The decision comes after successive governments resisted listing proposals in 2018 and 2020, with the Department of Culture Media and Sport justifying their decision as saying the architecture was "not unique or groundbreaking". However, Historic England praised the building's "exemplary technical skill" and its "fine texture and tactility".
The Southbank Centre has now been recognized as a vital part of Britain's cultural landscape. Its brutalist design is still debated by architects and designers today, but it is undeniable that it is an important piece of architectural history.
With its Grade II listing, the Southbank Centre is now protected from demolition or significant alteration. It will be interesting to see how this new status affects plans for its future, including a ยฃ70m scheme proposed by Richard Rogers in 2019 to put it under a glass roof and wrap it in a shell designed by Terry Farrell.
A 35-year wait is finally over for one of London's most infamous buildings: the Southbank Centre. After successive governments resisted six separate proposals to list the centre, which was dubbed Britain's ugliest building by engineers in 1967, the government has agreed to give it Grade II status.
The decision marks a major victory for campaigners who have been fighting to protect the brutalist masterpiece from demolition and neglect. The Southbank Centre, designed by the architects department at the former London council council led by Norman Engleback, is now officially recognized as an important part of Britain's architectural heritage.
"It's long overdue," said Catherine Croft, director of the Twentieth Century Society (C20S). "The battle has been won and brutalism has finally come of age. This is a victory over those who derided so-called 'concrete monstrosities' and shows a mature recognition of a style where Britain led the way."
Croft pointed out that the decision ends an anomaly in which the centre was the only unlisted building in the arts complex on the south side of the Thames. The owners of the building had requested to extend an immunity from listing, but the government accepted advice from its heritage body, Historic England.
The Southbank Centre's neighbours are deemed to be of higher architectural value: the modernist Royal Festival Hall is Grade I-listed, while the National Theatre, also brutalist in style, is Grade II*. The centre itself has been praised for its "bold geometric formations clustered to sculptural effect with a correspondingly dramatic silhouette" and its use of exposed concrete.
Croft added that it was "clearly very well-deserved and long overdue". While campaigners have welcomed the decision, they are also urging the government to fund a multimillion-pound refurbishment programme for the buildings. The Southbank Centre has asked for ยฃ30m to support improvements to its infrastructure.
The decision comes after successive governments resisted listing proposals in 2018 and 2020, with the Department of Culture Media and Sport justifying their decision as saying the architecture was "not unique or groundbreaking". However, Historic England praised the building's "exemplary technical skill" and its "fine texture and tactility".
The Southbank Centre has now been recognized as a vital part of Britain's cultural landscape. Its brutalist design is still debated by architects and designers today, but it is undeniable that it is an important piece of architectural history.
With its Grade II listing, the Southbank Centre is now protected from demolition or significant alteration. It will be interesting to see how this new status affects plans for its future, including a ยฃ70m scheme proposed by Richard Rogers in 2019 to put it under a glass roof and wrap it in a shell designed by Terry Farrell.