Charli Xcx's "House" featuring John Cale is a sonic descent into darkness, its haunting melody woven from the threads of elegance and brutality that define the song as much as Wuthering Heights' iconic score. This isn't music for the faint-hearted; it's an unapologetic exercise in sonic intensity, with Charli Xcx unleashing agonized howls at its core like a battle cry against the night.
The track's sound is unmistakably drawn from John Cale's eerie monologue, delivered in his sonorous voice that's as recognizable as it is weathered by time. The way he weaves through the narrative is conversational at first, but ultimately becomes increasingly ominous, setting the tone for an aural journey into the depths of madness.
One can't help but feel Cale's influence on the track's sonic landscape – be it the droning strings, jagged feedback-like noise, or the crushing distortion that cements its final minute in the listener's mind. Even if Cale himself isn't credited as an instrumentalist, his musical spirit seeps into every fibre of "House", conjuring memories of his time with the Velvet Underground.
This ain't Charli Xcx's sound; it's something entirely new, a departure from her last offering Brat that speaks to the dark, gothic world she's created for Emerald Fennell's Wuthering Heights adaptation. In fact, one can almost hear the influence of Nine Inch Nails seeping into its rhythm, lending it an air of unease and foreboding.
Will "House" find a home in Fennell's cinematic vision? Time will tell, but for now, this haunting track stands as its own entity – striking, powerful, and rewarding. Rather than relying on gimmicks to catapult itself into the mainstream, Charli Xcx has simply allowed herself to be swept away by her artistic instincts.
In a world where music of horror films often leapfrog the charts around Halloween, perhaps it's no wonder that "House" felt too close to the bone for immediate release. Yet there's an undeniable appeal in this sonic journey into the heart of darkness – one that will leave listeners both unsettled and cathartically drained by its haunting melody.
The track's sound is unmistakably drawn from John Cale's eerie monologue, delivered in his sonorous voice that's as recognizable as it is weathered by time. The way he weaves through the narrative is conversational at first, but ultimately becomes increasingly ominous, setting the tone for an aural journey into the depths of madness.
One can't help but feel Cale's influence on the track's sonic landscape – be it the droning strings, jagged feedback-like noise, or the crushing distortion that cements its final minute in the listener's mind. Even if Cale himself isn't credited as an instrumentalist, his musical spirit seeps into every fibre of "House", conjuring memories of his time with the Velvet Underground.
This ain't Charli Xcx's sound; it's something entirely new, a departure from her last offering Brat that speaks to the dark, gothic world she's created for Emerald Fennell's Wuthering Heights adaptation. In fact, one can almost hear the influence of Nine Inch Nails seeping into its rhythm, lending it an air of unease and foreboding.
Will "House" find a home in Fennell's cinematic vision? Time will tell, but for now, this haunting track stands as its own entity – striking, powerful, and rewarding. Rather than relying on gimmicks to catapult itself into the mainstream, Charli Xcx has simply allowed herself to be swept away by her artistic instincts.
In a world where music of horror films often leapfrog the charts around Halloween, perhaps it's no wonder that "House" felt too close to the bone for immediate release. Yet there's an undeniable appeal in this sonic journey into the heart of darkness – one that will leave listeners both unsettled and cathartically drained by its haunting melody.