Dave Ball was far from being a non-descript member of Soft Cell, the iconic synth-pop duo that catapulted to fame in 1981 with their hit single Tainted Love. Behind the scenes, however, Ball's influence on the band's sound and success was immense.
At first glance, it may seem surprising that the enigmatic keyboard player and songwriter was such a crucial element of Soft Cell's breakout moment, given his rather unassuming stage presence. Yet, this perceived modesty belies a far more complex individual. As Mark Almond, his bandmate, would later reveal, Ball was "a psycho" - prone to violent outbursts on stage if someone threatened him or anyone else.
Moreover, Ball's own musical tastes and influences were as eclectic as they were radical, drawing inspiration from noise-makers like Suicide and Throbbing Gristle. This unconventional approach was a key factor in shaping Soft Cell's early sound, particularly their breakout single Tainted Love. It was Ball who came up with the innovative bassline hook that propelled the song to dizzying heights of success.
The dynamic duo's bold vision for pop music also extended beyond mere commercial appeal. Almond describes them as "a band that could provoke people, shock them, wake them up, be subversive." This ethos is evident in their music and stage shows, which often veered into the experimental and confrontational. The video for Sex Dwarf, a track from their debut album Non-Stop Erotic Cabaret, exemplifies this rebellious streak.
However, as Soft Cell's commercial success grew, so too did the controversy surrounding Ball's increasingly avant-garde tastes and approach to music production. The duo's second album, This Last Night in Sodom, was deliberately produced in mono and recorded with an atonal sound that left many listeners aghast. To cap it all off, they famously smashed up their gold and platinum discs.
Ball continued to push the boundaries of electronic music on his subsequent solo projects, collaborating with artists like Timothy Leary and Sun Ra, as well as influential figures from the industrial scene. His influence can be seen in later acts such as Nine Inch Nails and Rihanna, whose tracks have sampled Soft Cell's iconic bassline.
Through it all, Ball has maintained an air of modesty about his contributions to Soft Cell's success, preferring to downplay his role rather than take credit for their groundbreaking sound. But Mark Almond is adamant that overlooking Ball would be a terrible misjudgement: "Soft Cell was more Dave than me," he insists.
In the end, Soft Cell's enduring legacy is a testament to the duo's innovative spirit and musical chemistry, which continues to inspire new generations of artists and fans alike.
At first glance, it may seem surprising that the enigmatic keyboard player and songwriter was such a crucial element of Soft Cell's breakout moment, given his rather unassuming stage presence. Yet, this perceived modesty belies a far more complex individual. As Mark Almond, his bandmate, would later reveal, Ball was "a psycho" - prone to violent outbursts on stage if someone threatened him or anyone else.
Moreover, Ball's own musical tastes and influences were as eclectic as they were radical, drawing inspiration from noise-makers like Suicide and Throbbing Gristle. This unconventional approach was a key factor in shaping Soft Cell's early sound, particularly their breakout single Tainted Love. It was Ball who came up with the innovative bassline hook that propelled the song to dizzying heights of success.
The dynamic duo's bold vision for pop music also extended beyond mere commercial appeal. Almond describes them as "a band that could provoke people, shock them, wake them up, be subversive." This ethos is evident in their music and stage shows, which often veered into the experimental and confrontational. The video for Sex Dwarf, a track from their debut album Non-Stop Erotic Cabaret, exemplifies this rebellious streak.
However, as Soft Cell's commercial success grew, so too did the controversy surrounding Ball's increasingly avant-garde tastes and approach to music production. The duo's second album, This Last Night in Sodom, was deliberately produced in mono and recorded with an atonal sound that left many listeners aghast. To cap it all off, they famously smashed up their gold and platinum discs.
Ball continued to push the boundaries of electronic music on his subsequent solo projects, collaborating with artists like Timothy Leary and Sun Ra, as well as influential figures from the industrial scene. His influence can be seen in later acts such as Nine Inch Nails and Rihanna, whose tracks have sampled Soft Cell's iconic bassline.
Through it all, Ball has maintained an air of modesty about his contributions to Soft Cell's success, preferring to downplay his role rather than take credit for their groundbreaking sound. But Mark Almond is adamant that overlooking Ball would be a terrible misjudgement: "Soft Cell was more Dave than me," he insists.
In the end, Soft Cell's enduring legacy is a testament to the duo's innovative spirit and musical chemistry, which continues to inspire new generations of artists and fans alike.