A modern retelling of Shakespeare's tragic tale has descended upon London's streets, with Riz Ahmed starring as the tortured prince Hamlet. Director Aneil Karia and screenwriter Michael Lesslie have stripped away the ornate language and elaborate stage settings, plunging the story into a stark and severe reality.
The film's setting is that of a dysfunctional family business, replete with shady dealings and family dysfunction. Ahmed's portrayal of Hamlet is one of weakness and self-hatred, as he grapples with the ghostly vision of his dead father, murdered by his treacherous brother Claudius (Art Malik). The latter is a ruthless property speculator who has evicted a community from prime real estate and now seeks to marry Hamlet's mother, Gertrude (Sheeba Chaddha), in a chilling display of power and ambition.
As the story unfolds, Hamlet becomes increasingly withdrawn and enraged, unable to bring himself to take action against Claudius. This creates a sense of authentic tension, as the audience is left wondering if Hamlet's madness is genuine or just a manifestation of his own guilt and self-loathing. The film's approach is deliberately modernized, losing some of the soliloquies that are present in the original play.
Ahmed delivers a powerful performance, carrying the film on his shoulders with his portrayal of Hamlet's inner turmoil. His screams of frustration at the wheel of his car during "To be, or not to be" are particularly haunting, conveying the prince's deep despair and sense of hopelessness.
The supporting cast is also impressive, with Timothy Spall bringing menace to the role of Polonius and Morfydd Clark delivering a nuanced performance as Ophelia. However, some viewers may feel that Ophelia's character has been somewhat diminished in importance, particularly with the loss of her iconic mad scene.
Overall, this modern retelling of Hamlet is an intelligent and focused account of the classic tale, raising important questions about the nature of truth and justice in a world where nothing is as it seems. With its rigorous chill and deliberate pacing, this film will leave you questioning everything until the very end.
The film's setting is that of a dysfunctional family business, replete with shady dealings and family dysfunction. Ahmed's portrayal of Hamlet is one of weakness and self-hatred, as he grapples with the ghostly vision of his dead father, murdered by his treacherous brother Claudius (Art Malik). The latter is a ruthless property speculator who has evicted a community from prime real estate and now seeks to marry Hamlet's mother, Gertrude (Sheeba Chaddha), in a chilling display of power and ambition.
As the story unfolds, Hamlet becomes increasingly withdrawn and enraged, unable to bring himself to take action against Claudius. This creates a sense of authentic tension, as the audience is left wondering if Hamlet's madness is genuine or just a manifestation of his own guilt and self-loathing. The film's approach is deliberately modernized, losing some of the soliloquies that are present in the original play.
Ahmed delivers a powerful performance, carrying the film on his shoulders with his portrayal of Hamlet's inner turmoil. His screams of frustration at the wheel of his car during "To be, or not to be" are particularly haunting, conveying the prince's deep despair and sense of hopelessness.
The supporting cast is also impressive, with Timothy Spall bringing menace to the role of Polonius and Morfydd Clark delivering a nuanced performance as Ophelia. However, some viewers may feel that Ophelia's character has been somewhat diminished in importance, particularly with the loss of her iconic mad scene.
Overall, this modern retelling of Hamlet is an intelligent and focused account of the classic tale, raising important questions about the nature of truth and justice in a world where nothing is as it seems. With its rigorous chill and deliberate pacing, this film will leave you questioning everything until the very end.