Dee Dee Bridgewater's voice is a powerful force that refuses to be silenced. The 75-year-old jazz legend has been in the industry for six decades, and yet she still feels compelled to speak out against injustice and promote positivity through her music. Her latest album, Elemental, features classic love songs from the 1920s and '30s, but Bridgewater's heart is not in them. Instead, she's using her platform to address the pressing issues of our time, including racism and government oppression.
Bridgewater's journey into jazz began at a young age, when her father introduced her to African American music. She went on to study with some of the greats, including Max Roach and Horace Silver, and even performed unannounced alongside Ray Charles during her honeymoon. However, she also faced her share of sexism and racism in the industry. One notable incident involved Dizzy Gillespie kicking her off stage for singing alongside his band.
Despite these challenges, Bridgewater persevered and eventually found success as a solo artist. She won two Grammy Awards for her albums dedicated to Duke Ellington and Ella Fitzgerald. However, it was only when she began performing songs that addressed social justice issues that she truly felt a sense of purpose.
Bridgewater's music has always been a reflection of her own experiences and values. Her latest album, Elemental, features songs like Billy Taylor's civil rights anthem "I Wish I Knew How It Would Feel to Be Free" and Bob Dylan's "Gotta Serve Somebody." She also performed Nina Simone's powerful protest song "Mississippi Goddam" at the London jazz festival.
Bridgewater is not just a talented musician; she's also a dedicated advocate for social justice. She founded the Woodshed Network, an organization that provides training and resources for female jazz musicians. However, with the recent takeover of the Kennedy Center by Donald Trump's supporters, Bridgewater is worried about the future of her initiative.
As she prepares to take the stage in Des Moines, Iowa, Bridgewater reflects on her life and career. She talks about how her music has always been a way for her to express herself and connect with others. However, she also acknowledges that she can no longer afford to be quiet. With the world facing so many challenges, Bridgewater feels compelled to speak out and inspire others to do the same.
"I'm too old and I've been through too much," she says. "I'm a product of the 1960s; I supported the Black Panther party and their community projects." Despite her own experiences with racism, Bridgewater remains committed to fighting for justice and equality. She believes that music has the power to bring people together and inspire change.
As Bridgewater takes the stage, she's not just singing for herself or her audience; she's singing for a cause. Her voice is a powerful force that refuses to be silenced, and it's a reminder that even in the darkest times, there is always hope and always a way forward.
Bridgewater's journey into jazz began at a young age, when her father introduced her to African American music. She went on to study with some of the greats, including Max Roach and Horace Silver, and even performed unannounced alongside Ray Charles during her honeymoon. However, she also faced her share of sexism and racism in the industry. One notable incident involved Dizzy Gillespie kicking her off stage for singing alongside his band.
Despite these challenges, Bridgewater persevered and eventually found success as a solo artist. She won two Grammy Awards for her albums dedicated to Duke Ellington and Ella Fitzgerald. However, it was only when she began performing songs that addressed social justice issues that she truly felt a sense of purpose.
Bridgewater's music has always been a reflection of her own experiences and values. Her latest album, Elemental, features songs like Billy Taylor's civil rights anthem "I Wish I Knew How It Would Feel to Be Free" and Bob Dylan's "Gotta Serve Somebody." She also performed Nina Simone's powerful protest song "Mississippi Goddam" at the London jazz festival.
Bridgewater is not just a talented musician; she's also a dedicated advocate for social justice. She founded the Woodshed Network, an organization that provides training and resources for female jazz musicians. However, with the recent takeover of the Kennedy Center by Donald Trump's supporters, Bridgewater is worried about the future of her initiative.
As she prepares to take the stage in Des Moines, Iowa, Bridgewater reflects on her life and career. She talks about how her music has always been a way for her to express herself and connect with others. However, she also acknowledges that she can no longer afford to be quiet. With the world facing so many challenges, Bridgewater feels compelled to speak out and inspire others to do the same.
"I'm too old and I've been through too much," she says. "I'm a product of the 1960s; I supported the Black Panther party and their community projects." Despite her own experiences with racism, Bridgewater remains committed to fighting for justice and equality. She believes that music has the power to bring people together and inspire change.
As Bridgewater takes the stage, she's not just singing for herself or her audience; she's singing for a cause. Her voice is a powerful force that refuses to be silenced, and it's a reminder that even in the darkest times, there is always hope and always a way forward.