Here is a rewritten version of the article with some improvements:
Claire Tabouret's journey to creating six stunning stained-glass windows for Notre Dame Cathedral began with an intriguing challenge. When she learned about the project, she was drawn to its "freshness and bravery" - two qualities that are not typically associated with traditional French art.
As a painter living in the US, Tabouret was intrigued by the idea of creating figurative paintings for public spaces, which is rare in France where abstract projects dominate. She submitted her application just 15 minutes before the deadline and was subsequently invited to present her designs to a jury.
Tabouret's designs for the windows follow the theme of Pentecost, the biblical moment when the Holy Spirit descends upon the apostles in Jerusalem 50 days after Easter. Her work is characterized by vibrant colors and dynamic landscapes, including turbulent seas and wind-lashed trees.
The Grand Palais exhibition "With one breath" showcases the process of designing the full-scale models. Tabouret's designs were created at a nearly 400-year-old glass workshop founded in Reims that has previously worked with artists such as Marc Chagall and Joan MirΓ³.
When working on the project, Tabouret was given complete artistic freedom by the church authorities, who encouraged her to create a harmonious dialogue between new layers in the building. Her approach is rooted in a desire to honor Notre Dame's history while introducing something new and vibrant.
Tabouret, 44, left the US last year and moved back to France with her American husband, Nathan Thelen, their two- and three-year-old daughters, and a menagerie of animals. Despite her success, she admits that she would rather be back in her studio, surrounded by paint and canvas.
The artist's love affair with painting began at a young age, when she saw Monet's Water Lilies in Paris at the age of four. "I remember the moment and I know the feeling," she says, recalling the urge to create art that has stayed with her ever since.
As Tabouret prepares to embark on this next chapter in her artistic journey, one thing is clear: her designs for Notre Dame will be a testament to her creativity, passion, and commitment to bringing new life to this beloved monument.
Claire Tabouret's journey to creating six stunning stained-glass windows for Notre Dame Cathedral began with an intriguing challenge. When she learned about the project, she was drawn to its "freshness and bravery" - two qualities that are not typically associated with traditional French art.
As a painter living in the US, Tabouret was intrigued by the idea of creating figurative paintings for public spaces, which is rare in France where abstract projects dominate. She submitted her application just 15 minutes before the deadline and was subsequently invited to present her designs to a jury.
Tabouret's designs for the windows follow the theme of Pentecost, the biblical moment when the Holy Spirit descends upon the apostles in Jerusalem 50 days after Easter. Her work is characterized by vibrant colors and dynamic landscapes, including turbulent seas and wind-lashed trees.
The Grand Palais exhibition "With one breath" showcases the process of designing the full-scale models. Tabouret's designs were created at a nearly 400-year-old glass workshop founded in Reims that has previously worked with artists such as Marc Chagall and Joan MirΓ³.
When working on the project, Tabouret was given complete artistic freedom by the church authorities, who encouraged her to create a harmonious dialogue between new layers in the building. Her approach is rooted in a desire to honor Notre Dame's history while introducing something new and vibrant.
Tabouret, 44, left the US last year and moved back to France with her American husband, Nathan Thelen, their two- and three-year-old daughters, and a menagerie of animals. Despite her success, she admits that she would rather be back in her studio, surrounded by paint and canvas.
The artist's love affair with painting began at a young age, when she saw Monet's Water Lilies in Paris at the age of four. "I remember the moment and I know the feeling," she says, recalling the urge to create art that has stayed with her ever since.
As Tabouret prepares to embark on this next chapter in her artistic journey, one thing is clear: her designs for Notre Dame will be a testament to her creativity, passion, and commitment to bringing new life to this beloved monument.