Donald Trump's Latest Tantrum at the Kennedy Center: A Symbol of MAGA's Failed Cultural War Aspirations
In a shocking move, Trump announced that he is shutting down the John F. Kennedy Center for the Performing Arts for two years following its Fourth of July celebrations. The president's claim that this decision is about "construction, revitalization, and complete rebuilding" rings hollow, as most believe it's an obvious reaction to growing concerns from artists who have cancelled shows at the center.
A list of high-profile cancellations has emerged, featuring luminaries like Philip Glass, Bรฉla Fleck, and even the entire cast of Hamilton. The situation serves as a prime example of how narcissists like Trump defeat themselves through their own actions. By attempting to impose his will on others, he inadvertently drew more criticism and rejections.
This debacle also highlights what this whole spectacle reveals about the MAGA movement and its failed cultural war aspirations. Trump's fixation on the Kennedy Center is perceived as an attempt to intimidate the cultural power of the 35th president and his wife, Jacqueline, by excluding himself from circles of people with good taste. This reflects a major resentment within the MAGA movement: anger at the larger culture for not dumbing itself down to placate their pedestrian tastes.
The recent backlash against Bad Bunny headlining the Super Bowl's halftime show showcases this phenomenon. The right-wing propaganda machine whipped the MAGA coalition into an outrage, insisting that they are owed a pop culture that favors their blinkered tastes. However, this reaction is predictable and boring, exemplifying the fact that forcing ordinary Americans to give up decent entertainment for some MAGA knock-off is much harder than most Trumpists thought.
Trump's actions symbolize the end game of the right's cultural resentment: taking by force what will never be offered freely. The president's takeover of the Kennedy Center represents a desire to remake the cultural landscape in his own image, disregarding the perspectives and interests of others. This is a hallmark of a jealous wife-beater, threatening to destroy the object of his obsession rather than allowing her to leave.
As the right tries to censor comedians, ban books, and terrorize drag shows, it's clear that they can't create, so instead they try to take art away from the rest of us. However, there are too many ways to access good creative work, and the backlash will only grow stronger as a result of their efforts. Trump may tear down the Kennedy Center, but it would be a pyrrhic victory at best.
Instead, most artists will simply play elsewhere, sell more tickets, and rally fans who stand in support of their work. The MAGA movement's cultural war aspirations will ultimately lose as the larger culture continues to produce and consume art that is better than what they can offer.
In a shocking move, Trump announced that he is shutting down the John F. Kennedy Center for the Performing Arts for two years following its Fourth of July celebrations. The president's claim that this decision is about "construction, revitalization, and complete rebuilding" rings hollow, as most believe it's an obvious reaction to growing concerns from artists who have cancelled shows at the center.
A list of high-profile cancellations has emerged, featuring luminaries like Philip Glass, Bรฉla Fleck, and even the entire cast of Hamilton. The situation serves as a prime example of how narcissists like Trump defeat themselves through their own actions. By attempting to impose his will on others, he inadvertently drew more criticism and rejections.
This debacle also highlights what this whole spectacle reveals about the MAGA movement and its failed cultural war aspirations. Trump's fixation on the Kennedy Center is perceived as an attempt to intimidate the cultural power of the 35th president and his wife, Jacqueline, by excluding himself from circles of people with good taste. This reflects a major resentment within the MAGA movement: anger at the larger culture for not dumbing itself down to placate their pedestrian tastes.
The recent backlash against Bad Bunny headlining the Super Bowl's halftime show showcases this phenomenon. The right-wing propaganda machine whipped the MAGA coalition into an outrage, insisting that they are owed a pop culture that favors their blinkered tastes. However, this reaction is predictable and boring, exemplifying the fact that forcing ordinary Americans to give up decent entertainment for some MAGA knock-off is much harder than most Trumpists thought.
Trump's actions symbolize the end game of the right's cultural resentment: taking by force what will never be offered freely. The president's takeover of the Kennedy Center represents a desire to remake the cultural landscape in his own image, disregarding the perspectives and interests of others. This is a hallmark of a jealous wife-beater, threatening to destroy the object of his obsession rather than allowing her to leave.
As the right tries to censor comedians, ban books, and terrorize drag shows, it's clear that they can't create, so instead they try to take art away from the rest of us. However, there are too many ways to access good creative work, and the backlash will only grow stronger as a result of their efforts. Trump may tear down the Kennedy Center, but it would be a pyrrhic victory at best.
Instead, most artists will simply play elsewhere, sell more tickets, and rally fans who stand in support of their work. The MAGA movement's cultural war aspirations will ultimately lose as the larger culture continues to produce and consume art that is better than what they can offer.