Kwame Brathwaite, a photographer and activist who played a pivotal role in shaping the "Black is Beautiful" movement of the 1960s and beyond, has passed away at the age of 85. Born to Barbadian immigrants in New York in 1938, Brathwaite's life was marked by his unwavering commitment to celebrating Black identity and beauty.
Brathwaite's journey into photography began when he encountered a haunting image of Emmett Till in an open casket at the age of 17. This experience sparked his passion for capturing the world through his lens, and he eventually co-founded the African Jazz Arts Society and Studios (AJASS) with his brother Elombe. It was through AJASS that Brathwaite began to use photography as a tool to push back against whitewashed beauty standards.
In 1962, AJASS organized "Naturally '62," a fashion show featuring young Black women who would become known as the Grandassa Models. Brathwaite's photographs of these models showcased their natural beauty and helped to redefine traditional notions of beauty in the Black community. He married one of his subjects, Sikolo, in 1966, and they remained together until his passing.
Throughout the 1970s and beyond, Brathwaite continued to explore various forms of popular Black music, photographing artists such as Nina Simone, Stevie Wonder, and Bob Marley. His work also took him to Africa, where he documented the Jackson Five's tour and the historic "Rumble in the Jungle" boxing match.
Despite his health struggles in recent years, Brathwaite remained committed to his craft until the end. A retrospective of his work traveled to several institutions, including the Blanton Museum of Art in Austin, Texas, where it remains on view through July 24. His legacy as a photographer and activist continues to inspire new generations.
As one of the pioneers of the "Black is Beautiful" movement, Brathwaite's contributions to photography and Black identity cannot be overstated. His work serves as a powerful reminder of the importance of celebrating our differences and promoting self-love and acceptance.
Brathwaite's journey into photography began when he encountered a haunting image of Emmett Till in an open casket at the age of 17. This experience sparked his passion for capturing the world through his lens, and he eventually co-founded the African Jazz Arts Society and Studios (AJASS) with his brother Elombe. It was through AJASS that Brathwaite began to use photography as a tool to push back against whitewashed beauty standards.
In 1962, AJASS organized "Naturally '62," a fashion show featuring young Black women who would become known as the Grandassa Models. Brathwaite's photographs of these models showcased their natural beauty and helped to redefine traditional notions of beauty in the Black community. He married one of his subjects, Sikolo, in 1966, and they remained together until his passing.
Throughout the 1970s and beyond, Brathwaite continued to explore various forms of popular Black music, photographing artists such as Nina Simone, Stevie Wonder, and Bob Marley. His work also took him to Africa, where he documented the Jackson Five's tour and the historic "Rumble in the Jungle" boxing match.
Despite his health struggles in recent years, Brathwaite remained committed to his craft until the end. A retrospective of his work traveled to several institutions, including the Blanton Museum of Art in Austin, Texas, where it remains on view through July 24. His legacy as a photographer and activist continues to inspire new generations.
As one of the pioneers of the "Black is Beautiful" movement, Brathwaite's contributions to photography and Black identity cannot be overstated. His work serves as a powerful reminder of the importance of celebrating our differences and promoting self-love and acceptance.