Brett Ratner's "Melania" is an execrable film that fails to deliver even the most basic of biographical insights into the life of the former First Lady. The movie takes a gilded approach, lavishing attention on its subject's designer attire and luxurious settings while neglecting any semblance of substance or depth.
The film's pacing is agonizingly slow, allowing Melania Knauss to glide effortlessly through her preparations for Donald Trump's second inauguration. Her voiceover is akin to sheet metal, devoid of emotion or vulnerability, as she discusses her priorities as First Lady and her love for her children. The scene is more akin to a fashion show than an intimate portrait of a woman.
The film's production values are on full display, with lavish settings and opulent costumes that would make even the most discerning designer jealous. However, beneath the surface lies a documentarian nightmare. The movie feels more like a tribute to Trump's ego than a genuine exploration of his wife's experiences as First Lady.
Ratner's handling of the subject matter is akin to taxidermy – beautifully crafted but soulless and devoid of life. The film's focus on Melania's fixation on white and gold, as well as her love for Michael Jackson, reads like a parody of high-society culture. The director's reluctance to engage with the complexities of Trump's presidency or the challenges faced by his wife makes for a dispiriting viewing experience.
The only redeeming quality is that Trump's inauguration does indeed go off without a hitch, despite the chaos caused by Melania's tardiness and the loose-fitting white blouse. However, this fleeting moment of triumph is overshadowed by two hours of tedious and cringe-worthy footage that leaves viewers feeling exhausted and disconnected from their subject.
Ultimately, "Melania" feels like a missed opportunity to explore the intricacies of Trump's presidency or the challenges faced by his wife. Instead, it offers a gilded, shallow portrait of a woman who remains an enigma throughout the film.
The film's pacing is agonizingly slow, allowing Melania Knauss to glide effortlessly through her preparations for Donald Trump's second inauguration. Her voiceover is akin to sheet metal, devoid of emotion or vulnerability, as she discusses her priorities as First Lady and her love for her children. The scene is more akin to a fashion show than an intimate portrait of a woman.
The film's production values are on full display, with lavish settings and opulent costumes that would make even the most discerning designer jealous. However, beneath the surface lies a documentarian nightmare. The movie feels more like a tribute to Trump's ego than a genuine exploration of his wife's experiences as First Lady.
Ratner's handling of the subject matter is akin to taxidermy – beautifully crafted but soulless and devoid of life. The film's focus on Melania's fixation on white and gold, as well as her love for Michael Jackson, reads like a parody of high-society culture. The director's reluctance to engage with the complexities of Trump's presidency or the challenges faced by his wife makes for a dispiriting viewing experience.
The only redeeming quality is that Trump's inauguration does indeed go off without a hitch, despite the chaos caused by Melania's tardiness and the loose-fitting white blouse. However, this fleeting moment of triumph is overshadowed by two hours of tedious and cringe-worthy footage that leaves viewers feeling exhausted and disconnected from their subject.
Ultimately, "Melania" feels like a missed opportunity to explore the intricacies of Trump's presidency or the challenges faced by his wife. Instead, it offers a gilded, shallow portrait of a woman who remains an enigma throughout the film.