The latest offering from the realm of fantasy and folkloric tomfoolery has arrived, just in time for autumn's chill to set in. Welcome Robin Hood, a show that ticks all the right boxes with its young cast of hopefuls trying out their mettle, alongside seasoned actors who are no doubt banking on this next project to keep the alimony flowing.
It's worth noting two key aspects of this, ahem, 'gem'. Firstly, Sean Bean is back as the Sheriff of Nottingham, a role that has clearly served him well enough to live to see another day. Secondly, and more refreshingly still, there are no bad wigs in sight – at least, not on screen. It appears someone must have wielded significant influence over the wardrobe department to steer them away from the usual 'long, stringy Yore-hair' look.
Beyond these small mercies, Robin Hood is off to a promising start with its opening caption. Who doesn't enjoy a good introductory phrase that sets the scene without resorting to heavy-handed dialogue or exposition? The show gets this right by stating, in crisp and clear terms, where we are and what's happening – no beating about the bush here.
Robin Hood's world is built around a Norman Conquest-era England, with Saxon lands being slowly taken over by Norman law. It's not the most subtle approach, but one that serves the show's purposes, allowing it to swiftly move on from this initial exposition and into its main event: the story of Robin Hood.
The action unfolds at a steady pace, with all the expected elements in place – chainmailed Norman soldiers meeting their end via Saxon archery, faerie debauchery, and Hugh of Locksley teaching his young son to shoot a bow. The drama is not going to win any awards for originality or pacing, but it does provide ample opportunity to admire the show's visuals, particularly its CGI creations.
The drama is still in its early stages, with Robin Hood (or Rob, as he prefers to be known) only beginning to contemplate a life of outlawry. There are more characters on the horizon – Connie Nielsen as Eleanor of Aquitaine and the introduction of Little John, Guy of Gisborne, Friar Tuck, and King John, among others.
Make no mistake, Robin Hood is not for everyone. It's bad, objectively speaking. However, if you can get into its 'terrible' groove – and I suspect many viewers will be able to do just that – then this show might just be the perfect antidote to your viewing diet. So go ahead, give it a chance, and above all, rejoice at the absence of bad wigs.
It's worth noting two key aspects of this, ahem, 'gem'. Firstly, Sean Bean is back as the Sheriff of Nottingham, a role that has clearly served him well enough to live to see another day. Secondly, and more refreshingly still, there are no bad wigs in sight – at least, not on screen. It appears someone must have wielded significant influence over the wardrobe department to steer them away from the usual 'long, stringy Yore-hair' look.
Beyond these small mercies, Robin Hood is off to a promising start with its opening caption. Who doesn't enjoy a good introductory phrase that sets the scene without resorting to heavy-handed dialogue or exposition? The show gets this right by stating, in crisp and clear terms, where we are and what's happening – no beating about the bush here.
Robin Hood's world is built around a Norman Conquest-era England, with Saxon lands being slowly taken over by Norman law. It's not the most subtle approach, but one that serves the show's purposes, allowing it to swiftly move on from this initial exposition and into its main event: the story of Robin Hood.
The action unfolds at a steady pace, with all the expected elements in place – chainmailed Norman soldiers meeting their end via Saxon archery, faerie debauchery, and Hugh of Locksley teaching his young son to shoot a bow. The drama is not going to win any awards for originality or pacing, but it does provide ample opportunity to admire the show's visuals, particularly its CGI creations.
The drama is still in its early stages, with Robin Hood (or Rob, as he prefers to be known) only beginning to contemplate a life of outlawry. There are more characters on the horizon – Connie Nielsen as Eleanor of Aquitaine and the introduction of Little John, Guy of Gisborne, Friar Tuck, and King John, among others.
Make no mistake, Robin Hood is not for everyone. It's bad, objectively speaking. However, if you can get into its 'terrible' groove – and I suspect many viewers will be able to do just that – then this show might just be the perfect antidote to your viewing diet. So go ahead, give it a chance, and above all, rejoice at the absence of bad wigs.
and it seems like its gonna be alright if you ignore all the stuff that doesnt make sense... or is that just me? anyway, sean bean is back as the bad guy, so at least he's still good at playing bad guys 
maybe it's the lack of originality or the predictable plot beats, but still, sean bean as the sheriff is always a plus 
and those wigs! ugh, i need to see them on screen ASAP 
. but seriously, sean bean still seems kinda out of place as sheriff of nottingham. maybe its just me but he's always been more of an action hero type and this role feels kinda...stuffy 
! I mean, who doesn't love a good ol' fashioned tale of derring-do in medieval England? But let's get real, this show is trying to do too much and it feels like they're just throwing every cliche at the wall and hoping some stick 
. The CGI is actually pretty solid, though - I loved the faerie stuff! 
Sean Bean as the Sheriff of Nottingham is a great touch, he's always been a master of playing the bad guy. And can we talk about how nice it is to see actors rocking decent hairstyles for once? 
I'm not gonna lie, this show isn't going to win any awards, but if you're looking for something mindless and fun to watch while you're curled up by the fire, I'd say give Robin Hood a shot. Just don't expect too much in terms of originality or anything. 
overall its a fun watch but if u r lookin for somethin deep like westworld or game of thrones, robin hood ain't it
. Plus, having Sean Bean as the Sheriff of Nottingham is just pure nostalgia gold 
. But let's get real, folks, if you're looking for something with actual depth and complexity, this might not be it. That being said, I do think it's great that they've avoided the cringeworthy wig department - who knew that could be a major selling point? 
i'm defo gonna watch it now, im so over netflix originals that dont deliver