Bangladeshi filmmaker Mejbaur Rahman Sumon's sophomore effort, "Roid", has boarded Awedacious Originals as executive producer, with Apoorva Bakshi at the helm. The film is set to premiere in the Tiger competition section of the International Film Festival Rotterdam.
"Roid" delves into desire and attachment through the story of a couple living in near isolation in rural Bangladesh. A shy man repeatedly attempts to abandon his volatile wife in unfamiliar places, only for her to return each time a fruit falls from a nearby palmyra palm tree. The narrative draws parallels with the Garden of Eden story while exploring primal human bonds.
"Apowerful, mythic, and deeply human," Bakshi described Sumon's film, which confronts desire, attachment, and compulsion as natural forces rather than emotional constructs. Beneath its repetition and silences lies a fundamental truth: life's longing for itself. This philosophical boldness in narrative is rare, and it resonated deeply with Awedacious.
The project is co-produced by Mushfiqur Rahman and Tanvir Ahmed Shovon for Bongo, Shimul Chandra Biswas for Facecard, and Tanveer Hossain, alongside Sumon. The film stars Mostafizur Noor Imran, Nazifa Tushi, Gazi Rakayet, and Ahsabul Y Riad.
"Roid" is inspired by a true story Sumon heard from his mother about a couple who worked in his grandfather's house. What drew the director to this tale was the woman's constant return. In it, he felt a search for something primordial, perhaps a bond older than reason.
The film has garnered praise from its collaborators, with Bakshi stating that Sumon is a visionary filmmaker. From "Hawa" to "Roid," his ambition is undeniable. The producer added that they're proud to produce a film poised to captivate audiences everywhere.
Shimul Chandra Biswas also praised the film, stating that it reflects questions he couldn't ignore – a journey he chose to live before it reached the screen. It changed how he understands closeness.
Tanveer Hossain noted that Sumon's ability to look at ordinary lives and find within them an extraordinary absurdity and profound philosophical richness is remarkable. "Roid" does not shout its ideas; instead, it listens, allowing silence, contradiction, and fragility to coexist.
"Roid" delves into desire and attachment through the story of a couple living in near isolation in rural Bangladesh. A shy man repeatedly attempts to abandon his volatile wife in unfamiliar places, only for her to return each time a fruit falls from a nearby palmyra palm tree. The narrative draws parallels with the Garden of Eden story while exploring primal human bonds.
"Apowerful, mythic, and deeply human," Bakshi described Sumon's film, which confronts desire, attachment, and compulsion as natural forces rather than emotional constructs. Beneath its repetition and silences lies a fundamental truth: life's longing for itself. This philosophical boldness in narrative is rare, and it resonated deeply with Awedacious.
The project is co-produced by Mushfiqur Rahman and Tanvir Ahmed Shovon for Bongo, Shimul Chandra Biswas for Facecard, and Tanveer Hossain, alongside Sumon. The film stars Mostafizur Noor Imran, Nazifa Tushi, Gazi Rakayet, and Ahsabul Y Riad.
"Roid" is inspired by a true story Sumon heard from his mother about a couple who worked in his grandfather's house. What drew the director to this tale was the woman's constant return. In it, he felt a search for something primordial, perhaps a bond older than reason.
The film has garnered praise from its collaborators, with Bakshi stating that Sumon is a visionary filmmaker. From "Hawa" to "Roid," his ambition is undeniable. The producer added that they're proud to produce a film poised to captivate audiences everywhere.
Shimul Chandra Biswas also praised the film, stating that it reflects questions he couldn't ignore – a journey he chose to live before it reached the screen. It changed how he understands closeness.
Tanveer Hossain noted that Sumon's ability to look at ordinary lives and find within them an extraordinary absurdity and profound philosophical richness is remarkable. "Roid" does not shout its ideas; instead, it listens, allowing silence, contradiction, and fragility to coexist.