The latest poetry releases have been making waves with their thought-provoking themes and masterful language. Namanlagh by Tom Paulin, the 10th collection from a poet who has been open about his struggles with depression, is a standout. Gone are the linguistic fireworks of previous works; instead, we find straightforward, unadorned poetry that packs a powerful punch. Paulin's reflections on Northern Irish history and politics take on a new level of bite, while moments of quiet introspection offer a glimpse into his personal journey.
Sarah Howe's Foretokens is another compelling collection, which reaffirms her sharp intellect and ability to layer telling detail. The poet tackles some big subjects – genetics, time's relativity, and becoming a parent – with an anger that brings a welcome freshness to her investigations. Howe's investigations are laced with urgency, as she seeks to uncover the truth about her own family history in Hong Kong.
Joelle Taylor's Maryville takes us on a sweeping journey through lesbian culture and LGBTQ+ rights over 50 years. The book is presented as a television series, guiding the reader through urgent and memorable language that never loses its impact. Taylor has a tenderness for her subjects, which shines through even in the face of liberation's costs.
Nikita Gill's Hekate is a propulsive retelling of the life of the Greek goddess, set against a backdrop of mythology and witchcraft. While the needs of exposition sometimes contort the poetry into flatness, Gill's skills allow for moments of insight to surface, like in her poignant poem 'Girlhood'. It's a powerful exploration that reminds us of the shifting sands of time.
Lastly, Phoebe Giannisi's Goatsong, a compilation of three recent books, showcases a rigorously intellectual style with a focus on physicality. While its oddity and opacity may not be to everyone's taste, it's worth persisting with for its depth and importance. Its messages, though complex, say something essential about the human condition – "I say take me / in your embrace / in your violence / and gently / let me go".
These poets are pushing the boundaries of language, exploring themes that need to be addressed, and creating work that lingers long after we finish reading.
Sarah Howe's Foretokens is another compelling collection, which reaffirms her sharp intellect and ability to layer telling detail. The poet tackles some big subjects – genetics, time's relativity, and becoming a parent – with an anger that brings a welcome freshness to her investigations. Howe's investigations are laced with urgency, as she seeks to uncover the truth about her own family history in Hong Kong.
Joelle Taylor's Maryville takes us on a sweeping journey through lesbian culture and LGBTQ+ rights over 50 years. The book is presented as a television series, guiding the reader through urgent and memorable language that never loses its impact. Taylor has a tenderness for her subjects, which shines through even in the face of liberation's costs.
Nikita Gill's Hekate is a propulsive retelling of the life of the Greek goddess, set against a backdrop of mythology and witchcraft. While the needs of exposition sometimes contort the poetry into flatness, Gill's skills allow for moments of insight to surface, like in her poignant poem 'Girlhood'. It's a powerful exploration that reminds us of the shifting sands of time.
Lastly, Phoebe Giannisi's Goatsong, a compilation of three recent books, showcases a rigorously intellectual style with a focus on physicality. While its oddity and opacity may not be to everyone's taste, it's worth persisting with for its depth and importance. Its messages, though complex, say something essential about the human condition – "I say take me / in your embrace / in your violence / and gently / let me go".
These poets are pushing the boundaries of language, exploring themes that need to be addressed, and creating work that lingers long after we finish reading.