The Seventh Lisbon Architecture Triennale, titled "How Heavy is a City?", proposes a radical rethink of the contemporary city, urging us to reevaluate our relationship with the built environment and its impact on the planet. This exhibition coalition, curated by Territorial Agency across eight venues, presents three main exhibitions – "Fluxes," "Spectres," and "Lighter" – as well as numerous independent projects and a comprehensive publication.
At the heart of this triennale lies a fundamental question: how can we redefine our urban experience in light of the accelerating forces of the technosphere? The exhibits delve into the complex interdependencies between energy, information, and material circulation that underpin global cities. By examining these systems, architects and thinkers aim to challenge our assumptions about the role of the city in the face of ecological crises.
"Fluxes," hosted at MAAT – Museum of Art, Architecture and Technology, delves into the hidden systems that define urban life, from energy consumption to material extraction. The exhibition features immersive installations, such as a corridor filled with large projections of smoke and fire, evoking environmental destruction. Here, we find ourselves confronted with the urgent need for sustainable practices.
"Spectres," displayed at MUDE – Design Museum, takes us beyond the traditional borders of the city into the "ghost acreages" that supply it with materials and energy. The exhibition opens with a haunting installation featuring Soundwalk Collective and Patti Smith's large-scale work "Correspondences," which tells stories of natural disasters, species extinction, and catastrophic weather events.
Meanwhile, "Lighter," housed at MAC/CCB – Museum of Contemporary Art and Architecture Centre, presents alternative possibilities for the future. The exhibition's curatorial shift from horizontal grids to vertical monitors requires viewers to seek out videos documenting innovative projects. Notable works here include Lynn Margulis' "The Tissue of Gaia" and WORKOVERTIME's "A Metabolic Commons – Many Hands Make Light Work," which emphasize the need for infrastructure of care over exploitation.
Ultimately, the Seventh Lisbon Architecture Triennale challenges us to rethink our urban experience in light of ecological crises. By introducing a dizzying array of questions, data, and measures, it prompts us to reject solutionism and instead strive for a fundamental transformation of our relationship with the built environment. This is an exhibition that demands action, inviting us to reevaluate our assumptions about the city's role in the world.
At the heart of this triennale lies a fundamental question: how can we redefine our urban experience in light of the accelerating forces of the technosphere? The exhibits delve into the complex interdependencies between energy, information, and material circulation that underpin global cities. By examining these systems, architects and thinkers aim to challenge our assumptions about the role of the city in the face of ecological crises.
"Fluxes," hosted at MAAT – Museum of Art, Architecture and Technology, delves into the hidden systems that define urban life, from energy consumption to material extraction. The exhibition features immersive installations, such as a corridor filled with large projections of smoke and fire, evoking environmental destruction. Here, we find ourselves confronted with the urgent need for sustainable practices.
"Spectres," displayed at MUDE – Design Museum, takes us beyond the traditional borders of the city into the "ghost acreages" that supply it with materials and energy. The exhibition opens with a haunting installation featuring Soundwalk Collective and Patti Smith's large-scale work "Correspondences," which tells stories of natural disasters, species extinction, and catastrophic weather events.
Meanwhile, "Lighter," housed at MAC/CCB – Museum of Contemporary Art and Architecture Centre, presents alternative possibilities for the future. The exhibition's curatorial shift from horizontal grids to vertical monitors requires viewers to seek out videos documenting innovative projects. Notable works here include Lynn Margulis' "The Tissue of Gaia" and WORKOVERTIME's "A Metabolic Commons – Many Hands Make Light Work," which emphasize the need for infrastructure of care over exploitation.
Ultimately, the Seventh Lisbon Architecture Triennale challenges us to rethink our urban experience in light of ecological crises. By introducing a dizzying array of questions, data, and measures, it prompts us to reject solutionism and instead strive for a fundamental transformation of our relationship with the built environment. This is an exhibition that demands action, inviting us to reevaluate our assumptions about the city's role in the world.