The Studio Museum in Harlem has finally cut its ribbon after seven long years, bringing with it an explosion of creativity that promises to captivate the community. The museum's new building, located just blocks from the original loft where the group of artists and activists first set up shop in 1968, is a custom-built canvas showcasing the rotating works of its resident artists alongside its impressive permanent collection.
Director Thelma Golden couldn't be more thrilled about the timing of the opening. "In many ways, I do feel that the timing of our opening now is ideal," she said. "We're opening in a moment that's very much like the moment when the museum was founded." The goal has always been to create a space for Black art, and Golden believes that the new building delivers on this promise.
The inaugural exhibition, featuring light artist Tom Lloyd, marks a significant milestone. Lloyd's work is a perfect representation of the museum's mission β his use of materials such as Christmas tree lights and Buick backup lenses to create immersive installations that engage multiple senses. His 1996 piece "Electronic Refractions II" was actually the museum's first solo show, making his reprise all the more poignant.
The exhibition has been meticulously refurbished with modern touches, including LED bulbs replacing incandescent ones and upgraded control boxes that still emit a familiar clicking sound. According to curator Connie H. Choi, the clicking is an essential element of Lloyd's work, capturing the attention of fans worldwide. The museum is expecting a special turnout for its grand opening on November 15, with many members of the extended Lloyd family in attendance.
To celebrate this momentous occasion, the Studio Museum is hosting a Community Day, which promises to activate the entire building from 11 am to 9 pm on Saturday. Residents from surrounding communities and beyond will be invited to experience DJ sets, art-making workshops, games, and more. With its new home fully open for business, the Studio Museum in Harlem is poised to become an even more vibrant hub of creative expression and Black culture.
Director Thelma Golden couldn't be more thrilled about the timing of the opening. "In many ways, I do feel that the timing of our opening now is ideal," she said. "We're opening in a moment that's very much like the moment when the museum was founded." The goal has always been to create a space for Black art, and Golden believes that the new building delivers on this promise.
The inaugural exhibition, featuring light artist Tom Lloyd, marks a significant milestone. Lloyd's work is a perfect representation of the museum's mission β his use of materials such as Christmas tree lights and Buick backup lenses to create immersive installations that engage multiple senses. His 1996 piece "Electronic Refractions II" was actually the museum's first solo show, making his reprise all the more poignant.
The exhibition has been meticulously refurbished with modern touches, including LED bulbs replacing incandescent ones and upgraded control boxes that still emit a familiar clicking sound. According to curator Connie H. Choi, the clicking is an essential element of Lloyd's work, capturing the attention of fans worldwide. The museum is expecting a special turnout for its grand opening on November 15, with many members of the extended Lloyd family in attendance.
To celebrate this momentous occasion, the Studio Museum is hosting a Community Day, which promises to activate the entire building from 11 am to 9 pm on Saturday. Residents from surrounding communities and beyond will be invited to experience DJ sets, art-making workshops, games, and more. With its new home fully open for business, the Studio Museum in Harlem is poised to become an even more vibrant hub of creative expression and Black culture.