Liz Johnson Artur's photographs capture the essence of a bygone London queer club scene, where fluidity and inclusivity reigned supreme. The popular PDA club night, which ran from 2011 to 2021 in a Hackney basement, was a haven for self-expression and community building. Johnson Artur, who has been photographing "the people I'm with" for over three decades, found herself drawn to the vibrant energy of PDA events.
Her black and white and color photographs, taken over several years, reveal party-goers in all their glory – thigh-high boots, sweat-drenched bodies, cigarettes, smiles, and Schweppes. The images seem to pulse with the rhythm of a bassline, transporting viewers into the midst of the action. Johnson Artur's subjects are often posed in lavish outfits, exuding confidence that belies the hostility they face outside.
One recurring figure in her pictures is Carrie Stacks, the night's co-founder DJ and nightlife icon. These intimate, daytime images showcase the close-knit community beyond the club, where trust and respect reign supreme. "When people see you and they trust you, they give," Johnson Artur says, highlighting the beauty of her photographs.
Johnson Artur's own story is one of self-discovery and resilience. Raised by a Russian mother in Germany, she developed an eye for capturing human existence through her lens. Her archive, numbering thousands of images, celebrates beauty, community, and resistance. The photographer's German upbringing instilled in her the importance of quality over quantity – every picture counts.
The collaboration with PDA organizers was not without its challenges. Johnson Artur had to let go of her stringent standards, embracing a more collaborative approach. "It's an interesting process," she says. "You can't just collaborate and get what you want; you have to open up."
PDA charts the photographer's evolving role in the community, from aunty figure to trusted ally. The book is a testament to the fleeting nature of life – a reminder to cherish every moment. As Johnson Artur notes, "We're only here for a minute. Let's enjoy it."
Her black and white and color photographs, taken over several years, reveal party-goers in all their glory – thigh-high boots, sweat-drenched bodies, cigarettes, smiles, and Schweppes. The images seem to pulse with the rhythm of a bassline, transporting viewers into the midst of the action. Johnson Artur's subjects are often posed in lavish outfits, exuding confidence that belies the hostility they face outside.
One recurring figure in her pictures is Carrie Stacks, the night's co-founder DJ and nightlife icon. These intimate, daytime images showcase the close-knit community beyond the club, where trust and respect reign supreme. "When people see you and they trust you, they give," Johnson Artur says, highlighting the beauty of her photographs.
Johnson Artur's own story is one of self-discovery and resilience. Raised by a Russian mother in Germany, she developed an eye for capturing human existence through her lens. Her archive, numbering thousands of images, celebrates beauty, community, and resistance. The photographer's German upbringing instilled in her the importance of quality over quantity – every picture counts.
The collaboration with PDA organizers was not without its challenges. Johnson Artur had to let go of her stringent standards, embracing a more collaborative approach. "It's an interesting process," she says. "You can't just collaborate and get what you want; you have to open up."
PDA charts the photographer's evolving role in the community, from aunty figure to trusted ally. The book is a testament to the fleeting nature of life – a reminder to cherish every moment. As Johnson Artur notes, "We're only here for a minute. Let's enjoy it."