A new comedy takes aim at the complexities of time travel, but will it be able to avoid getting lost in its own web of paradoxes? Tim Travers and the Time Traveler's Paradox is an indie romp that delves headfirst into the mind-bending world of time travel, courtesy of Samuel Dunning as the well-coiffed scientist who inadvertently creates a series of timelines.
At its core, the film revolves around the classic bootstrap paradox: if Tim sends himself back in time with a gun to kill his younger self, won't that mean he can't exist in the future? But since he has to be in the future to have created the original timeline, which one is real? The answer may seem like a straightforward case of temporal logistics gone awry, but as Tim's adventures continue back and forth through time, things start to get delightfully absurd.
As our hapless hero careens from one time period to the next, he encounters various versions of himself in increasingly bizarre circumstances. From a self-absorbed goateed version who indulges in an off-camera orgy, to a hitman tasked with whacking all the rival timelines – it's a dizzying free-for-all.
While not every joke lands, and the pacing can feel plodding at times, this space-hopping comedy has its moments. A standout cameo from Keith David as the Simulator/God plays like a wink to fans of Douglas Adams' The Hitchhiker's Guide to the Galaxy, which also tackled time travel with wit and panache.
Ultimately, Tim Travers and the Time Traveler's Paradox asks big questions about the nature of reality and the consequences of playing with time. But does it have the wit and charm to keep up with its ideas? That remains to be seen.
At its core, the film revolves around the classic bootstrap paradox: if Tim sends himself back in time with a gun to kill his younger self, won't that mean he can't exist in the future? But since he has to be in the future to have created the original timeline, which one is real? The answer may seem like a straightforward case of temporal logistics gone awry, but as Tim's adventures continue back and forth through time, things start to get delightfully absurd.
As our hapless hero careens from one time period to the next, he encounters various versions of himself in increasingly bizarre circumstances. From a self-absorbed goateed version who indulges in an off-camera orgy, to a hitman tasked with whacking all the rival timelines – it's a dizzying free-for-all.
While not every joke lands, and the pacing can feel plodding at times, this space-hopping comedy has its moments. A standout cameo from Keith David as the Simulator/God plays like a wink to fans of Douglas Adams' The Hitchhiker's Guide to the Galaxy, which also tackled time travel with wit and panache.
Ultimately, Tim Travers and the Time Traveler's Paradox asks big questions about the nature of reality and the consequences of playing with time. But does it have the wit and charm to keep up with its ideas? That remains to be seen.