Daisy Ridley Brings Contemplative Grief to a Zombie Twist in 'We Bury the Dead'
In a genre that's often plagued by formulaic, soulless rehashes of the same tired zombie tropes, Zak Hilditch's We Bury the Dead is a refreshingly contemplative take on the undead, thanks largely to Ridley's nuanced portrayal.
The film's premise - a US government blunder unleashes a deadly catastrophe in Tasmania, killing half a million people - sets the stage for Ava (Ridley), whose travelling husband met an untimely demise. Rather than focusing on death tolls or zombie carnage, Hilditch and Ridley opt for a more empathetic approach, exploring the emotional toll of loss and grief on Ava as she navigates the treacherous landscape.
The result is a film that's less concerned with gore and more focused on the human cost of tragedy. While the undead do make an appearance, they're treated as more of a curiosity - the walking dead are a phenomenon worthy of scientific study rather than mindless monsters to be slaughtered.
Ridley brings her signature intensity to Ava, conveying a sense of anguish and desperation that's impossible to ignore. Her performance is aided by a thoughtful script that avoids sentimentality in favor of genuine emotional depth.
Visuals play a key role in bringing the film's themes to life, with Hilditch delivering some genuinely breathtaking shots that capture the beauty of the natural world even as it descends into chaos. The cinematography is often stunning, stretching the budget to make a small film feel like a big one.
While We Bury the Dead may not be the most original take on the zombie genre, its thoughtful approach and Ridley's standout performance make it a solid, if unspectacular, addition to the mix. In a world where zombies are always being reimagined, it's refreshing to see one done with such sensitivity and care.
We Bury the Dead is out now in cinemas, available to rent digitally in the UK, and will be released on February 5th in Australia.
In a genre that's often plagued by formulaic, soulless rehashes of the same tired zombie tropes, Zak Hilditch's We Bury the Dead is a refreshingly contemplative take on the undead, thanks largely to Ridley's nuanced portrayal.
The film's premise - a US government blunder unleashes a deadly catastrophe in Tasmania, killing half a million people - sets the stage for Ava (Ridley), whose travelling husband met an untimely demise. Rather than focusing on death tolls or zombie carnage, Hilditch and Ridley opt for a more empathetic approach, exploring the emotional toll of loss and grief on Ava as she navigates the treacherous landscape.
The result is a film that's less concerned with gore and more focused on the human cost of tragedy. While the undead do make an appearance, they're treated as more of a curiosity - the walking dead are a phenomenon worthy of scientific study rather than mindless monsters to be slaughtered.
Ridley brings her signature intensity to Ava, conveying a sense of anguish and desperation that's impossible to ignore. Her performance is aided by a thoughtful script that avoids sentimentality in favor of genuine emotional depth.
Visuals play a key role in bringing the film's themes to life, with Hilditch delivering some genuinely breathtaking shots that capture the beauty of the natural world even as it descends into chaos. The cinematography is often stunning, stretching the budget to make a small film feel like a big one.
While We Bury the Dead may not be the most original take on the zombie genre, its thoughtful approach and Ridley's standout performance make it a solid, if unspectacular, addition to the mix. In a world where zombies are always being reimagined, it's refreshing to see one done with such sensitivity and care.
We Bury the Dead is out now in cinemas, available to rent digitally in the UK, and will be released on February 5th in Australia.