The RFK Jr Scandal: A Tale of Excess and Self-Importance
The saga surrounding RFK Jr's illicit affair with a colleague has been reduced to a melodrama by the man himself, Ryan Lizza. Instead of embracing the farcical nature of his situation, he has attempted to elevate it to the level of high art. This self-regarding approach is emblematic of American journalism's propensity for seriousness, even when faced with scandalous circumstances.
Lizza and his co-author, Olivia Nuzzi, have taken their shared infidelity and the fallout that followed to new heights of melodrama. Their writing style is replete with overwrought metaphors - bamboo in the courtyard and wildfires - which serves only to underscore their inability to laugh at themselves. This earnestness has resulted in a narrative that reads like a parody of itself.
The wider media has failed to grasp the humor in the situation, instead choosing to dignify it with solemnity. Even Vanity Fair, once known for its irreverence, seems hesitant to poke fun at Nuzzi's appointment as West Coast editor, citing a desire to "own" her work and allow herself some levity.
It is time for American journalists to acknowledge that their profession has devolved into a self-serious endeavor. They would do well to recall that, in the grand scheme of things, they are not dealing with the weighty issues of world politics or high-stakes reporting. Instead, they are confronted with the mundane concerns of personal relationships and office romances.
A good laugh is just what the doctor ordered for American journalism, which has lost its sense of humor about itself. It's time to come down from their lofty perch and join the rest of us in enjoying a scandal without taking ourselves too seriously. After all, as the saying goes, "when in Rome," do as the Romans do - and that means embracing the absurdity of it all with a healthy dose of humor and humility.
The saga surrounding RFK Jr's illicit affair with a colleague has been reduced to a melodrama by the man himself, Ryan Lizza. Instead of embracing the farcical nature of his situation, he has attempted to elevate it to the level of high art. This self-regarding approach is emblematic of American journalism's propensity for seriousness, even when faced with scandalous circumstances.
Lizza and his co-author, Olivia Nuzzi, have taken their shared infidelity and the fallout that followed to new heights of melodrama. Their writing style is replete with overwrought metaphors - bamboo in the courtyard and wildfires - which serves only to underscore their inability to laugh at themselves. This earnestness has resulted in a narrative that reads like a parody of itself.
The wider media has failed to grasp the humor in the situation, instead choosing to dignify it with solemnity. Even Vanity Fair, once known for its irreverence, seems hesitant to poke fun at Nuzzi's appointment as West Coast editor, citing a desire to "own" her work and allow herself some levity.
It is time for American journalists to acknowledge that their profession has devolved into a self-serious endeavor. They would do well to recall that, in the grand scheme of things, they are not dealing with the weighty issues of world politics or high-stakes reporting. Instead, they are confronted with the mundane concerns of personal relationships and office romances.
A good laugh is just what the doctor ordered for American journalism, which has lost its sense of humor about itself. It's time to come down from their lofty perch and join the rest of us in enjoying a scandal without taking ourselves too seriously. After all, as the saying goes, "when in Rome," do as the Romans do - and that means embracing the absurdity of it all with a healthy dose of humor and humility.