Streaming Services Poised to Overtake Legacy Media in 2028, Says Ampere Analysis
The TV landscape is undergoing a seismic shift as streaming services continue to dominate the industry. According to London-based Ampere Analysis, growth in the market is coming from streaming, with a 2.5% increase in spending over the last 28 months. The platform is expected to surpass legacy broadcast business globally by 2028.
In Europe, however, public and commercial broadcasters are still "very significant commissioners," particularly in Europe. However, priorities have shifted, and there is now room for premium content. The market has moved away from a focus on scripted drama, with unscripted shows matching scripted formats in terms of first-run new commissions. This shift is driven by the need for cost-effectiveness and longevity of viewing engagement.
Sports have also seen significant growth, but deep-pocketed streamer competition will drive up costs. Producers are now looking at companion programming as a major opportunity. Content about sports, such as Netflix's "Formula 1: Drive to Survive," has become a big growth area.
Consolidation is another key theme in the industry, driven by global platforms converging on streaming. The Netflix-Warner Bros. deal is often cited as an example of this trend. Big content owners and producers are increasingly vertically integrated with owned and operated distribution layers. This diagonal integration aims to bring legacy media into the streaming fold.
The rise of YouTube is also having a significant impact on the TV landscape. The platform offers a wealth of kids' and non-fiction content, leading to a decline in investment for comedy and documentary shows. However, Bisson argues that YouTube is "on television" and has become an important distribution layer.
Microdramas are another trend gaining traction, particularly in Asia, Turkey, and Brazil. These short-form, vertical videos with professional wrappers have attracted significant attention on social media platforms. The opportunities for microdramas lie in targeting specific genres, such as romance, drama, horror, sci-fi, music, and sport.
Finally, the threat of AI is becoming increasingly real. The "real and imminent threat" to the creator economy comes from the ease of production and low-to-zero-cost online content generation. This could lead to single entities or organizations operating influencer armies at zero cost across multiple genres, potentially shifting viewers' loyalty back to premium, human-generated content.
The TV landscape is undergoing a significant transformation, driven by the rise of streaming services and the impact of AI on content creation. As Bisson noted, "we've dismantled the old ways of thinking and doing business and are rebuilding." The opportunities for growth lie in premium content, unscripted shows, sports, companion programming, and microdramas – all areas that will shape the future of the industry.
The TV landscape is undergoing a seismic shift as streaming services continue to dominate the industry. According to London-based Ampere Analysis, growth in the market is coming from streaming, with a 2.5% increase in spending over the last 28 months. The platform is expected to surpass legacy broadcast business globally by 2028.
In Europe, however, public and commercial broadcasters are still "very significant commissioners," particularly in Europe. However, priorities have shifted, and there is now room for premium content. The market has moved away from a focus on scripted drama, with unscripted shows matching scripted formats in terms of first-run new commissions. This shift is driven by the need for cost-effectiveness and longevity of viewing engagement.
Sports have also seen significant growth, but deep-pocketed streamer competition will drive up costs. Producers are now looking at companion programming as a major opportunity. Content about sports, such as Netflix's "Formula 1: Drive to Survive," has become a big growth area.
Consolidation is another key theme in the industry, driven by global platforms converging on streaming. The Netflix-Warner Bros. deal is often cited as an example of this trend. Big content owners and producers are increasingly vertically integrated with owned and operated distribution layers. This diagonal integration aims to bring legacy media into the streaming fold.
The rise of YouTube is also having a significant impact on the TV landscape. The platform offers a wealth of kids' and non-fiction content, leading to a decline in investment for comedy and documentary shows. However, Bisson argues that YouTube is "on television" and has become an important distribution layer.
Microdramas are another trend gaining traction, particularly in Asia, Turkey, and Brazil. These short-form, vertical videos with professional wrappers have attracted significant attention on social media platforms. The opportunities for microdramas lie in targeting specific genres, such as romance, drama, horror, sci-fi, music, and sport.
Finally, the threat of AI is becoming increasingly real. The "real and imminent threat" to the creator economy comes from the ease of production and low-to-zero-cost online content generation. This could lead to single entities or organizations operating influencer armies at zero cost across multiple genres, potentially shifting viewers' loyalty back to premium, human-generated content.
The TV landscape is undergoing a significant transformation, driven by the rise of streaming services and the impact of AI on content creation. As Bisson noted, "we've dismantled the old ways of thinking and doing business and are rebuilding." The opportunities for growth lie in premium content, unscripted shows, sports, companion programming, and microdramas – all areas that will shape the future of the industry.