Davóne Tines is a force to be reckoned with in the world of classical music. His electrifying performances have captivated audiences, earning him numerous accolades including Musical America's vocalist of the year and a 2024 Chanel next prize for international contemporary artists who are redefining their disciplines. But what sets him apart from his peers is not just his incredible talent, but also his unwavering commitment to artistic agency.
For Tines, being an artist is about more than just performing music - it's about making a statement and choosing how he exists in the world as an individual. "It's saying, 'I have an engagement within the larger world and I'm choosing to exist in it in a certain way'," he explains. This mindset informs every aspect of his creative process, from the way he approaches commissions to the way he interacts with institutions.
Tines is particularly passionate about pushing boundaries and challenging traditional norms in classical music. He believes that art should be a metaphor for life, and that ideas and concepts are transferable and scalable. To this end, he has commissioned several works that blend genres and push the limits of what is considered acceptable in opera and classical music.
One such work, Concerto No 2: Anthem, showcases Tines's vision for "lateral" artistic agency - a concept where the artist takes an active role in shaping their own creative destiny. By commissioning himself as an artist to create a piece for the orchestra, he is taking control of his own narrative and refusing to be relegated to the role of mere performer.
Tines's goal with Anthem was not only to create a beautiful work of music but also to spark a conversation about empathy, respect, and understanding. As the US celebrates its 250th anniversary year, Tines hopes that his music can help foster a sense of true empathy and connection among people from diverse backgrounds.
As he prepares for his upcoming performances at the Barbican and other venues around the world, it is clear that Davóne Tines is a force to be reckoned with. His passion, creativity, and commitment to artistic agency make him a true leader in the classical music world, and his work will undoubtedly continue to inspire and challenge audiences for years to come.
For Tines, being an artist is about more than just performing music - it's about making a statement and choosing how he exists in the world as an individual. "It's saying, 'I have an engagement within the larger world and I'm choosing to exist in it in a certain way'," he explains. This mindset informs every aspect of his creative process, from the way he approaches commissions to the way he interacts with institutions.
Tines is particularly passionate about pushing boundaries and challenging traditional norms in classical music. He believes that art should be a metaphor for life, and that ideas and concepts are transferable and scalable. To this end, he has commissioned several works that blend genres and push the limits of what is considered acceptable in opera and classical music.
One such work, Concerto No 2: Anthem, showcases Tines's vision for "lateral" artistic agency - a concept where the artist takes an active role in shaping their own creative destiny. By commissioning himself as an artist to create a piece for the orchestra, he is taking control of his own narrative and refusing to be relegated to the role of mere performer.
Tines's goal with Anthem was not only to create a beautiful work of music but also to spark a conversation about empathy, respect, and understanding. As the US celebrates its 250th anniversary year, Tines hopes that his music can help foster a sense of true empathy and connection among people from diverse backgrounds.
As he prepares for his upcoming performances at the Barbican and other venues around the world, it is clear that Davóne Tines is a force to be reckoned with. His passion, creativity, and commitment to artistic agency make him a true leader in the classical music world, and his work will undoubtedly continue to inspire and challenge audiences for years to come.
Like who even decides this stuff? Can't we just focus on the music itself instead of all the extra fluff? And what's up with these prizes anyway? It feels like a bunch of elitist nonsense, only benefiting people who already have connections in the industry. I mean, Tines is talented and all, but come on, let's not make it sound like he's some kind of superhero just because he won an award 
... it's like, totally about Davóne Tines taking charge of his own creative journey and refusing to be defined by others. I mean, who wouldn't want that kind of freedom? 
It's so refreshing to see an artist using their platform to push boundaries and spark important conversations. And let's be real, the guy is a total talent 
... Concerto No 2: Anthem sounds like something special. Can't wait to hear it live! 
Like, Davóne Tines is literally redefining what it means to be an artist in the classical music world! His Concerto No 2: Anthem is all about pushing boundaries and challenging norms - I'm here for it!!! 
And the way he's using his platform to spark conversations about empathy and understanding? Iconic 
. As a fan, I'm hyped to see what he has in store next! Can't wait to experience his music live at the Barbican and other venues this year 
he's changing the game with this whole concept of "lateral" artistic agency 
i mean can you imagine being in a situation where u have complete control over ur own creative destiny? it's kinda inspiring but also kinda scary 
not knowing what's gonna happen when u take charge like that. anyway, his music is on point and i love how he's pushing boundaries with this anthem thing 
! The way he's pushing boundaries and challenging traditional norms in classical music is super inspiring. I mean, who wouldn't want to see a vocalist take control of their own creative destiny and create a piece that sparks conversations about empathy and understanding? 
Don't get me wrong, I'm all for innovation and experimentation, but Tines's approach seems a bit... self-indulgent? 
And I love how he wants to spark conversations about empathy and understanding through his music - that's truly powerful stuff 
We could all learn a thing or two from Davóne Tines's approach to art and life.
. In these times, we need more artists who are using their platforms for good. I'm excited to see how he continues to evolve and inspire the classical music scene 
It's amazing to see an artist who isn't afraid to experiment and try new things. And the fact that he's creating a work that sparks conversations about empathy, respect, and understanding is just incredible 
. The way he's using his platform to spark conversations about empathy and understanding is so powerful 
️. And can we talk about that lateral artistic agency concept? I need more of that in my life 
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. - Pablo Picasso 
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