British Blues Pioneer Brian Smith Remembered Through His Timeless Images
Brian Smith, a stalwart figure of the British blues scene of the 1960s, has left an indelible mark on the genre through his captivating photographs. The 82-year-old had been instrumental in documenting the iconic American artists who graced the stages of Manchester's Twisted Wheel club and other UK venues during that era.
As a keen observer of the emerging blues scene, Smith was privileged to witness some of its most pivotal moments. He first caught wind of Lonnie Donegan's skiffle group at a 1954 Chris Barber gig, which piqued his interest in the blues. This exposure led him to become an ardent fan and eventually fuelled his passion for photography.
In the early 1960s, Smith made a name for himself as a prolific photographer of visiting American blues musicians, including T-Bone Walker, John Lee Hooker, and Sonny Terry & Brownie McGhee. His shots of these legendary artists were featured on album sleeves, magazine covers, and later, CDs and box sets.
One notable instance was the 1962 American Folk Blues festival at the Manchester Free Trade Hall, where Smith captured iconic images of T-Bone Walker, John Lee Hooker, and other top blues acts. Mick Jagger, Brian Jones, and Jimmy Page were among those in attendance, and their presence underscores the significant impact Smith's photographs had on shaping the British blues scene.
As a skilled documentarian, Smith continued to chronicle the evolution of blues in the UK during the 1960s, covering numerous festivals and tours by lesser-known American artists. His work was instrumental in preserving the legacy of American Rhythm & Blues in England between 1962-1966, an era he captured with remarkable candour through his photographs.
While working as a humble Inland Revenue clerk, Smith maintained a secret passion for photography, often employing his skills to infiltrate exclusive events and secure behind-the-scenes access. This unorthodox approach allowed him to capture the authentic essence of these iconic performances.
Smith's dedication to the blues was further showcased in his published book, "Boom Boom, Boom, Boom β American Rhythm & Blues In England 1962β1966," which featured over 176 pages of photographs and stories that provide a glimpse into this pivotal period. His work continues to inspire new generations of blues enthusiasts.
In addition to his remarkable photography career, Smith played an important role in the establishment of R&B Scene magazine at Twisted Wheel club and maintained relationships with promoters and club owners, securing interviews and back-stage passes. This insider knowledge saved him a considerable amount of money on tickets, he revealed in hindsight.
Sadly, Brian Smith passed away recently, leaving behind a legacy that will continue to captivate audiences for years to come. His extraordinary photographs have cemented his place as one of the most significant documentarians of the British blues scene during its heyday.
Brian Smith, a stalwart figure of the British blues scene of the 1960s, has left an indelible mark on the genre through his captivating photographs. The 82-year-old had been instrumental in documenting the iconic American artists who graced the stages of Manchester's Twisted Wheel club and other UK venues during that era.
As a keen observer of the emerging blues scene, Smith was privileged to witness some of its most pivotal moments. He first caught wind of Lonnie Donegan's skiffle group at a 1954 Chris Barber gig, which piqued his interest in the blues. This exposure led him to become an ardent fan and eventually fuelled his passion for photography.
In the early 1960s, Smith made a name for himself as a prolific photographer of visiting American blues musicians, including T-Bone Walker, John Lee Hooker, and Sonny Terry & Brownie McGhee. His shots of these legendary artists were featured on album sleeves, magazine covers, and later, CDs and box sets.
One notable instance was the 1962 American Folk Blues festival at the Manchester Free Trade Hall, where Smith captured iconic images of T-Bone Walker, John Lee Hooker, and other top blues acts. Mick Jagger, Brian Jones, and Jimmy Page were among those in attendance, and their presence underscores the significant impact Smith's photographs had on shaping the British blues scene.
As a skilled documentarian, Smith continued to chronicle the evolution of blues in the UK during the 1960s, covering numerous festivals and tours by lesser-known American artists. His work was instrumental in preserving the legacy of American Rhythm & Blues in England between 1962-1966, an era he captured with remarkable candour through his photographs.
While working as a humble Inland Revenue clerk, Smith maintained a secret passion for photography, often employing his skills to infiltrate exclusive events and secure behind-the-scenes access. This unorthodox approach allowed him to capture the authentic essence of these iconic performances.
Smith's dedication to the blues was further showcased in his published book, "Boom Boom, Boom, Boom β American Rhythm & Blues In England 1962β1966," which featured over 176 pages of photographs and stories that provide a glimpse into this pivotal period. His work continues to inspire new generations of blues enthusiasts.
In addition to his remarkable photography career, Smith played an important role in the establishment of R&B Scene magazine at Twisted Wheel club and maintained relationships with promoters and club owners, securing interviews and back-stage passes. This insider knowledge saved him a considerable amount of money on tickets, he revealed in hindsight.
Sadly, Brian Smith passed away recently, leaving behind a legacy that will continue to captivate audiences for years to come. His extraordinary photographs have cemented his place as one of the most significant documentarians of the British blues scene during its heyday.