This week, the art world has welcomed a new exhibition that delves into the darker corners of human experience. "Crossing into Darkness", curated by Tracey Emin, takes us on a journey through the thresholds of despair and the power of melancholy, featuring an eclectic mix of visionary artists including Goya, Munch, Bourgeois, and Baselitz.
For fans of homoerotic art, Carl Freedman Gallery in Margate has opened its doors to Ming Wong's latest exhibition. Wong, the National Gallery's artist-in-residence, responds to the iconic paintings of Saint Sebastian, exploring themes of love, desire, and identity.
In other news, Fitzrovia Chapel is hosting an immersive installation titled "Souvenir", which pays homage to the lost London of the late 1970s and early 1980s. The exhibition features works by Michael Bracewell, Sal Pittman, and others, offering a nostalgic glimpse into a bygone era.
At St John's College in Oxford, "Story Painters, Picture Writers" is bringing together artists who are pushing the boundaries of narrative and visual storytelling. Julian Bell, Gala Hills, and Jane Griffiths are among the creatives showcasing their work in this thought-provoking exhibition.
Meanwhile, Scottish National Portrait Gallery has unveiled a powerful collection of community-made posters, collages, and artworks that testify to the power of popular struggle in north Edinburgh. "Solidarity Wins" is a testament to the resilience of community activism.
The week's image of the week features Paulus Potter's 17th-century masterpiece "The Bull", which has been restored to its former glory at the Mauritshuis in The Hague. What's fascinating, however, is that research has revealed the bull's testicles were halved in size by the artist to conform to 17th-century sensibilities.
Other highlights include a rare glimpse into the life of performance artist Tehching Hsieh, who lived in a cage for a year and spent time tied to a friend. The week also takes us on a trip down memory lane with performances by Ian McKellen lip-syncing to previously unheard audio tapes of LS Lowry and David Bowie's visit to a psychiatric clinic in 1994.
Finally, the National Gallery has put forward a compelling argument that Pietro da Cortona's "Saint Cecilia" – an early baroque masterpiece – offers a telling commentary on the role of women in early 17th-century Catholic art. By portraying Saint Cecilia as a bland-faced icon of chastity, Cortona's work invites us to consider the ways in which the church has historically sought to control and regulate women's lives.
If you're eager to stay up-to-date with the latest art news, be sure to sign up for the Art Weekly newsletter. And if you have any questions or comments about our newsletters, feel free to get in touch at [email protected].
For fans of homoerotic art, Carl Freedman Gallery in Margate has opened its doors to Ming Wong's latest exhibition. Wong, the National Gallery's artist-in-residence, responds to the iconic paintings of Saint Sebastian, exploring themes of love, desire, and identity.
In other news, Fitzrovia Chapel is hosting an immersive installation titled "Souvenir", which pays homage to the lost London of the late 1970s and early 1980s. The exhibition features works by Michael Bracewell, Sal Pittman, and others, offering a nostalgic glimpse into a bygone era.
At St John's College in Oxford, "Story Painters, Picture Writers" is bringing together artists who are pushing the boundaries of narrative and visual storytelling. Julian Bell, Gala Hills, and Jane Griffiths are among the creatives showcasing their work in this thought-provoking exhibition.
Meanwhile, Scottish National Portrait Gallery has unveiled a powerful collection of community-made posters, collages, and artworks that testify to the power of popular struggle in north Edinburgh. "Solidarity Wins" is a testament to the resilience of community activism.
The week's image of the week features Paulus Potter's 17th-century masterpiece "The Bull", which has been restored to its former glory at the Mauritshuis in The Hague. What's fascinating, however, is that research has revealed the bull's testicles were halved in size by the artist to conform to 17th-century sensibilities.
Other highlights include a rare glimpse into the life of performance artist Tehching Hsieh, who lived in a cage for a year and spent time tied to a friend. The week also takes us on a trip down memory lane with performances by Ian McKellen lip-syncing to previously unheard audio tapes of LS Lowry and David Bowie's visit to a psychiatric clinic in 1994.
Finally, the National Gallery has put forward a compelling argument that Pietro da Cortona's "Saint Cecilia" – an early baroque masterpiece – offers a telling commentary on the role of women in early 17th-century Catholic art. By portraying Saint Cecilia as a bland-faced icon of chastity, Cortona's work invites us to consider the ways in which the church has historically sought to control and regulate women's lives.
If you're eager to stay up-to-date with the latest art news, be sure to sign up for the Art Weekly newsletter. And if you have any questions or comments about our newsletters, feel free to get in touch at [email protected].
Crossing into Darkness with Tracey Emin is giving me all the feels, it's like a emotional rollercoaster ride but in a good way! 
And I'm so down for Ming Wong's exhibition at Carl Freedman Gallery, exploring themes of love & desire is always a win in my book 
. Fitzrovia Chapel's immersive installation "Souvenir" sounds amazing too, taking us back to the lost London of the 70s & 80s is like a nostalgic dream come true 
, especially with Ming Wong's latest show, it's like a whole new world opens up for homoerotic art fans 
. I mean, Saint Sebastian is such an iconic figure, and Wong's interpretation is so fresh and exciting! 
. I also love that "Story Painters, Picture Writers" is highlighting those who are pushing the boundaries of narrative and visual storytelling - Julian Bell's work in particular is so captivating 
.
. But hey, at least we're having the conversation about it now!
!
just had a weird thought... all these exhibitions are exploring some pretty dark and heavy themes 
. And it's not just that – there's also this incredible immersive installation in London that takes you back to the lost London of the 70s and 80s 
.
. Anyway, it's been a wild week in the art world and I'm so glad we get to experience all this amazing stuff 
But hey, if it's going to make people think about their emotions, then I'm all for it. The idea of exploring love and desire through art is actually pretty cool 
And Ming Wong's work sounds fascinating - I love how he's using iconic paintings as a starting point for his own exploration of identity 
I love how these exhibitions are tackling some heavy stuff like mental health and societal expectations, but also exploring themes of identity and desire 
. And the use of historical figures in Pietro da Cortona's "Saint Cecilia" raises some really interesting questions about the role of women in history 
. What I find fascinating is how these exhibitions are all connected by this thread of exploring and celebrating the complexities of human experience 
It's like everyone's trying to be all edgy and avant-garde. And don't even get me started on the whole Saint Sebastian thing... is that really something we need to be celebrating? 
Anyway, can't wait to see more art that explores the darker corners of human experience... maybe with a side of therapy sessions for us museum-goers 
. So there's an exhibition on "Crossing into Darkness" which sounds like it's gonna be super depressing, and I'm not really sure why anyone would want to go see that 
.
. Don't get me wrong, it's cool that people are exploring new themes and stuff, but can we talk about something else for once? 
, and I didn't know that bull's testicles were halved in size - that's like, super interesting 
.
That sounds like a performance art dream come true!
. And I'm super stoked that Ming Wong's exhibition is happening at Carl Freedman Gallery - his art always brings up so many interesting conversations about identity and desire 
and still gets celebrated as a masterpiece 
just read that Pietro da Cortona's "Saint Cecilia" is like, a total icon of female empowerment... said no one ever. i mean, come on, she's basically just a bland-faced icon of chastity. it's 17th century, not feminist art movement 