De La Soul's 10th studio album, Cabin in the Sky, is a vibrant celebration of late founding member Trugoy the Dove, aka Dave Jolicoeur, that defies the somber expectations set by an actor-heavy spoken-word intro. This isn't an album about impending doom; it's a technicolor dream, infused with lush strings and effervescent samples, transporting listeners to a world where 'chillier months' are kept at bay.
The De La Soul formula is hard to shake off - the perpetually sunny disposition that permeates their music remains intact. Gone is the heavy, somber tone that might have been expected after Trugoy's passing; instead, we're treated to an album that feels like a vitamin D-rich tonic for the winter blues.
A spoken-word intro by Giancarlo Esposito sets the scene, but De La Soul quickly reminds us of their signature blend. The Natalie Cole sample on 'Will Be' and Maseo's jovial ad-libs on 'Cruel Summers Bring Fire Life!!' are just a couple of examples of how this album stays true to form. It's not about mourning; it's about embracing life, even in its final stages.
The concept of the afterlife is there, but it feels more like an afterthought - an element tacked on, perhaps, as Trugoy's passing was a catalyst for reflection. Yet, his vocals remain throughout, and most tracks still fit snugly within De La Soul's surrealist universe. Even in exploring mortality, they manage to keep the mood light.
One notable exception is the title track, where Maseo and Pos pay tribute to Trugoy and others lost. It's a pensive, world-weary reflection on life and loss, but never loses its sense of magic.
If Cabin in the Sky feels like a slog at times, it's likely due to its length - clocking in at over 70 minutes. The second half can feel a tad heavy-handed by comparison to the album's more effervescent opening tracks.
Still, this is an album that celebrates life and creativity with unbridled enthusiasm, never losing sight of what makes De La Soul so special: their unique blend of positivity, wit, and infectious energy. It may not be heavy in the classical sense, but it leaves you feeling full - and perhaps even a little brighter for having listened to it.
The De La Soul formula is hard to shake off - the perpetually sunny disposition that permeates their music remains intact. Gone is the heavy, somber tone that might have been expected after Trugoy's passing; instead, we're treated to an album that feels like a vitamin D-rich tonic for the winter blues.
A spoken-word intro by Giancarlo Esposito sets the scene, but De La Soul quickly reminds us of their signature blend. The Natalie Cole sample on 'Will Be' and Maseo's jovial ad-libs on 'Cruel Summers Bring Fire Life!!' are just a couple of examples of how this album stays true to form. It's not about mourning; it's about embracing life, even in its final stages.
The concept of the afterlife is there, but it feels more like an afterthought - an element tacked on, perhaps, as Trugoy's passing was a catalyst for reflection. Yet, his vocals remain throughout, and most tracks still fit snugly within De La Soul's surrealist universe. Even in exploring mortality, they manage to keep the mood light.
One notable exception is the title track, where Maseo and Pos pay tribute to Trugoy and others lost. It's a pensive, world-weary reflection on life and loss, but never loses its sense of magic.
If Cabin in the Sky feels like a slog at times, it's likely due to its length - clocking in at over 70 minutes. The second half can feel a tad heavy-handed by comparison to the album's more effervescent opening tracks.
Still, this is an album that celebrates life and creativity with unbridled enthusiasm, never losing sight of what makes De La Soul so special: their unique blend of positivity, wit, and infectious energy. It may not be heavy in the classical sense, but it leaves you feeling full - and perhaps even a little brighter for having listened to it.