Death of Gesualdo is an unsettlingly captivating work that weaves together the tumultuous life of Renaissance composer Carlo Gesualdo with his hauntingly beautiful music. The production, created by director Bill Barclay and vocal group the Gesualdo Six, masterfully interweaves the dark story with Gesualdo's experimental compositions to create a spellbinding narrative that draws the audience in.
The show begins on Gesualdo's deathbed, but as it unfolds in flashback, we see him as a young man coming of age amidst a world of passion and horror. The puppet-like portrayal of his childhood self adds a haunting touch, while Markus Weinfurter's nuanced performance brings depth to the role of the tortured composer.
Weinfurter is joined by five other talented actors, each playing pivotal roles in Gesualdo's life - including his wives, a jester, and a sinister cardinal. Choreographed by Will Tuckett, their stylized movements create striking tableaux vivants that underscore the drama unfolding around them. Arthur Oliver's intricate costumes bring to life the opulent world of 17th-century Italy.
As the story builds towards its climax, the lighting design, which relies on handheld LEDs carried by performers, creates an eerie atmosphere, bathing the actors in a golden glow reminiscent of oil paintings. The final moments are particularly chilling, as Gesualdo's emotions boil over into a frenzy of screams and terror.
At the heart of this production is the breathtaking singing of the Gesualdo Six. Their precision, tone, and nuanced expression create a sonic tapestry that is both beautiful and unsettling. Even with an understudy in one of their ranks, they deliver outstanding performances that bring the dark music of Gesualdo to life.
Throughout the show, the line between beauty and horror is constantly blurred, mirroring the composer's own complex inner world. Death of Gesualdo is a thought-provoking work that invites audiences to confront the darker aspects of human nature - all set against a backdrop of stunningly beautiful music that seems to emanate from another planet.
The show begins on Gesualdo's deathbed, but as it unfolds in flashback, we see him as a young man coming of age amidst a world of passion and horror. The puppet-like portrayal of his childhood self adds a haunting touch, while Markus Weinfurter's nuanced performance brings depth to the role of the tortured composer.
Weinfurter is joined by five other talented actors, each playing pivotal roles in Gesualdo's life - including his wives, a jester, and a sinister cardinal. Choreographed by Will Tuckett, their stylized movements create striking tableaux vivants that underscore the drama unfolding around them. Arthur Oliver's intricate costumes bring to life the opulent world of 17th-century Italy.
As the story builds towards its climax, the lighting design, which relies on handheld LEDs carried by performers, creates an eerie atmosphere, bathing the actors in a golden glow reminiscent of oil paintings. The final moments are particularly chilling, as Gesualdo's emotions boil over into a frenzy of screams and terror.
At the heart of this production is the breathtaking singing of the Gesualdo Six. Their precision, tone, and nuanced expression create a sonic tapestry that is both beautiful and unsettling. Even with an understudy in one of their ranks, they deliver outstanding performances that bring the dark music of Gesualdo to life.
Throughout the show, the line between beauty and horror is constantly blurred, mirroring the composer's own complex inner world. Death of Gesualdo is a thought-provoking work that invites audiences to confront the darker aspects of human nature - all set against a backdrop of stunningly beautiful music that seems to emanate from another planet.