The Department of Homeland Security's latest recruitment post has sparked outrage, as the agency paired a neo-Nazi anthem with its official Instagram account. "We'll Have Our Home Again," by Pine Tree Riots, is a song popularized in white nationalist spaces that features lyrics about reclaiming one's home through "blood or sweat." This pairing comes on the heels of a fatal ICE shooting in Minneapolis, where agent Jonathan Ross killed Renee Good during an enforcement operation.
The decision to use this song as part of their recruitment messaging has raised serious questions about the department's cultural awareness and judgment. Critics argue that DHS is now embracing the visual language of white supremacy and pop culture cited in instances of racial violence, which is a concerning trend that may alienate certain demographics.
This is not an isolated incident; over the past year, the federal government has leaned on mainstream pop music in their social media outreach, but it appears they are shifting to niche music that resonates more closely with extremist groups.
Data & Society's director of research, Alice Marwick, noted that "there was a sense of plausible deniability before," as DHS used mainstream pop music. However, now it seems like the administration is intentionally using language and imagery associated with white nationalism.
The timing of this post stands out, coming immediately after the fatal shooting by ICE agent Ross. Marwick believes that such juxtapositions are often read as intentional signals in online extremist spaces, indicating a deliberate attempt to reach specific audiences with extremist messaging.
This incident is part of a broader trend where federal agencies and government departments openly adopt white nationalist rhetoric, further eroding trust between law enforcement and the communities they serve.
The department has yet to respond to requests for comment.
The decision to use this song as part of their recruitment messaging has raised serious questions about the department's cultural awareness and judgment. Critics argue that DHS is now embracing the visual language of white supremacy and pop culture cited in instances of racial violence, which is a concerning trend that may alienate certain demographics.
This is not an isolated incident; over the past year, the federal government has leaned on mainstream pop music in their social media outreach, but it appears they are shifting to niche music that resonates more closely with extremist groups.
Data & Society's director of research, Alice Marwick, noted that "there was a sense of plausible deniability before," as DHS used mainstream pop music. However, now it seems like the administration is intentionally using language and imagery associated with white nationalism.
The timing of this post stands out, coming immediately after the fatal shooting by ICE agent Ross. Marwick believes that such juxtapositions are often read as intentional signals in online extremist spaces, indicating a deliberate attempt to reach specific audiences with extremist messaging.
This incident is part of a broader trend where federal agencies and government departments openly adopt white nationalist rhetoric, further eroding trust between law enforcement and the communities they serve.
The department has yet to respond to requests for comment.