Summer Walker's long-awaited third installment in her acclaimed "Over It" trilogy, titled "Finally Over It," finally dropped on November 14, four years after its predecessor. The album debuted at No. 2 on the Billboard 200 albums chart with an impressive 77,000 first-week units.
The numbers mark a notable achievement for Walker, surpassing expectations and solidifying her status as a prominent R&B artist. While not quite reaching the same heights as her predecessors, "Over It" (134,000) and "Still Over It" (166,000), which both opened with over 130,000 album units, the performance demonstrates Walker's enduring fanbase.
A question remains: did the prolonged rollout of "Finally Over It" have a significant impact on its debut performance? According to Billboard staffers, while it may not have hurt the album significantly, it also didn't exactly boost its numbers. The extended release campaign was marred by confusion and frustration among fans, potentially deterring some from engaging with the project.
Looking at the Hot 100 chart, which sees seven songs from "Finally Over It" debut in the first week, one standout track stands out: "No." Mackenzie Cummings-Grady believes this song will likely become a breakout hit for Walker, capitalizing on its infectious hook and Beyoncé-inspired interpolation. The album's title track also shows promise, with Gail Mitchell suggesting it feels like a fitting conclusion to the trilogy.
Walker has been steadily building her reputation as an R&B artist, but fans of "Over It" and "Still Over It" are looking for something new and exciting from their favorite singer. Will Walker be able to deliver in 2026? With the buzz surrounding Chris Brown's upcoming project, Kehlani's long-awaited album, Victoria Monét and Jazmine Sullivan's collaborations, Beyoncé potentially returning with a new R&B album, or even Sade's highly anticipated return, there's plenty of reason for excitement in the world of R&B.
In terms of the "Finally Over It" trilogy, Mackenzie Cummings-Grady calls it a fitting closer, despite its less-than-vital third installment. While not quite living up to the urgency and edge of the first two albums, Walker still delivers solid songwriting and performance.
The numbers mark a notable achievement for Walker, surpassing expectations and solidifying her status as a prominent R&B artist. While not quite reaching the same heights as her predecessors, "Over It" (134,000) and "Still Over It" (166,000), which both opened with over 130,000 album units, the performance demonstrates Walker's enduring fanbase.
A question remains: did the prolonged rollout of "Finally Over It" have a significant impact on its debut performance? According to Billboard staffers, while it may not have hurt the album significantly, it also didn't exactly boost its numbers. The extended release campaign was marred by confusion and frustration among fans, potentially deterring some from engaging with the project.
Looking at the Hot 100 chart, which sees seven songs from "Finally Over It" debut in the first week, one standout track stands out: "No." Mackenzie Cummings-Grady believes this song will likely become a breakout hit for Walker, capitalizing on its infectious hook and Beyoncé-inspired interpolation. The album's title track also shows promise, with Gail Mitchell suggesting it feels like a fitting conclusion to the trilogy.
Walker has been steadily building her reputation as an R&B artist, but fans of "Over It" and "Still Over It" are looking for something new and exciting from their favorite singer. Will Walker be able to deliver in 2026? With the buzz surrounding Chris Brown's upcoming project, Kehlani's long-awaited album, Victoria Monét and Jazmine Sullivan's collaborations, Beyoncé potentially returning with a new R&B album, or even Sade's highly anticipated return, there's plenty of reason for excitement in the world of R&B.
In terms of the "Finally Over It" trilogy, Mackenzie Cummings-Grady calls it a fitting closer, despite its less-than-vital third installment. While not quite living up to the urgency and edge of the first two albums, Walker still delivers solid songwriting and performance.