George R.R. Martin Initially Considered a Very Different Targaryen Power in Game of Thrones
When creating his sprawling fantasy world, George R.R. Martin had a different vision for the Targaryens' powers than the one that ultimately made its way into A Song of Ice and Fire and its television adaptations. Martin's early conception of the series drew inspiration from science fiction, where he had previously explored themes of psionic powers - telepathy, empathy, and other mind-based abilities.
In his initial ideas, Martin considered a Targaryen family with pyrokinetic powers. This would have meant that they could harness their minds to set fires, effectively wielding fire like magic. However, it was only after sharing these ideas with Phyllis Eisenstein, the late writer and friend of Martin's, that he realized his fantasy world needed a more concrete connection to science fiction.
Eisenstein convinced Martin that dragons were an essential part of the Targaryen mythology, which has since become one of the defining characteristics of the House of Dragon series. The inclusion of real dragons brought stability and depth to the narrative, transforming it into the beloved franchise we know today.
Martin later reflected on this pivotal moment in his writing process during an interview at the Oxford Union. He discussed how he initially doubted including fantasy elements altogether, even considering rewriting A Song of Ice and Fire as historical fiction. However, after Eisenstein's intervention, Martin realized that incorporating fantastical creatures like dragons was crucial to creating a unique narrative.
Today, fans can witness this evolution in action with HBO's Westeros-set series, A Knight of the Seven Kingdoms, which features puppet dragons alongside humans, while House of Dragon introduces real, living creatures into the mix. The "pyro people" idea has since been replaced by the iconic dragon mythology that Martin initially considered.
When creating his sprawling fantasy world, George R.R. Martin had a different vision for the Targaryens' powers than the one that ultimately made its way into A Song of Ice and Fire and its television adaptations. Martin's early conception of the series drew inspiration from science fiction, where he had previously explored themes of psionic powers - telepathy, empathy, and other mind-based abilities.
In his initial ideas, Martin considered a Targaryen family with pyrokinetic powers. This would have meant that they could harness their minds to set fires, effectively wielding fire like magic. However, it was only after sharing these ideas with Phyllis Eisenstein, the late writer and friend of Martin's, that he realized his fantasy world needed a more concrete connection to science fiction.
Eisenstein convinced Martin that dragons were an essential part of the Targaryen mythology, which has since become one of the defining characteristics of the House of Dragon series. The inclusion of real dragons brought stability and depth to the narrative, transforming it into the beloved franchise we know today.
Martin later reflected on this pivotal moment in his writing process during an interview at the Oxford Union. He discussed how he initially doubted including fantasy elements altogether, even considering rewriting A Song of Ice and Fire as historical fiction. However, after Eisenstein's intervention, Martin realized that incorporating fantastical creatures like dragons was crucial to creating a unique narrative.
Today, fans can witness this evolution in action with HBO's Westeros-set series, A Knight of the Seven Kingdoms, which features puppet dragons alongside humans, while House of Dragon introduces real, living creatures into the mix. The "pyro people" idea has since been replaced by the iconic dragon mythology that Martin initially considered.