Actress Stacy Martin isn't one for superstition, but she has had her fair share of inexplicable encounters. One such instance was when a lightbulb in her north London home continued to flicker despite multiple replacements. Rather than seeking an explanation online, Martin turned to her annual tea leaf reader, whom she meets under a pseudonym.
"I was like: 'What if I just start talking to this person that apparently wants to talk to me?'" Martin recalls. "And so I did. And that light never flickered again."
Martin is not one to shy away from unconventional experiences or the idea of entities beyond human understanding. In her latest film, The Testament of Ann Lee, she plays a key role as Jane "Mother Jane" Wardley, the leader of the Shaking Quakers and the woman who guides 18th-century religious leader Ann Lee (Amanda Seyfried) towards spiritual liberation.
Martin has long been drawn to unconventional narratives, having worked with art-house provocateurs such as Lars von Trier, Ben Wheatley, and her frequent collaborators Brady Corbet and Celia Rowlson-Hall. Her on-screen persona is often coolly intelligent and occasionally stern, a trait she attributes to her desire to challenge expectations.
As Martin chats from the study of her Los Angeles home – an oak-panelled library filled with books that are split between London and LA – it's clear she has a dry sense of humor and an interest in unconventional pursuits. She's been reading David Lynch biography and exploring quantum physics, activities that have earned her puzzled looks from friends who understand only a fraction of what they're discussing.
One topic Martin is keenly interested in, however, is the nature of power and spirituality. In The Testament of Ann Lee, she delves into the complex relationship between abstinence, spiritual devotion, and social hierarchy among the Shakers. "For the movement to be so visceral, and about catharsis, and worshipping … I was just quite surprised that she decided not to have sex with her husband," Martin admits with a chuckle.
Martin's interest in spirituality also led her to explore the mystique surrounding Jane Wardley, whose character embodies both a desire for spiritual connection and an unsettling amount of control. Martin notes how the Shakers sought to empower women by removing societal pressures tied to sex, effectively turning their celibacy into a potent tool for personal and collective liberation.
As we discuss The Testament of Ann Lee, it becomes clear that Stacy Martin is drawn to projects that push boundaries – be they narrative, thematic or creative. Working with Mona Fastvold and Brady Corbet has been an integral part of her growth as an actress and writer, with the pair embodying a symbiotic collaboration that transcends individual visions.
When asked about Fastvold's perspective on her performance, Martin praises the director as "a true cinephile" with an instinctive understanding of larger filmic narratives. As for herself, she finds inspiration in films that resonate with audiences on multiple levels – and is eager to tackle more mainstream projects.
Speaking candidly about her career trajectory, Martin emphasizes her desire to avoid repeating familiar roles. Her recent success has opened doors to the mainstream, including a coveted spot in an upcoming adaptation of Jane Austen's Sense and Sensibility. And if she's being completely honest? A dinosaur-sized dream does still exist – manifesting her presence in the next Jurassic Park.
"I don't want to do the same thing over and over again," Martin says wistfully as we wrap up our conversation, "so I keep trying new things."
"I was like: 'What if I just start talking to this person that apparently wants to talk to me?'" Martin recalls. "And so I did. And that light never flickered again."
Martin is not one to shy away from unconventional experiences or the idea of entities beyond human understanding. In her latest film, The Testament of Ann Lee, she plays a key role as Jane "Mother Jane" Wardley, the leader of the Shaking Quakers and the woman who guides 18th-century religious leader Ann Lee (Amanda Seyfried) towards spiritual liberation.
Martin has long been drawn to unconventional narratives, having worked with art-house provocateurs such as Lars von Trier, Ben Wheatley, and her frequent collaborators Brady Corbet and Celia Rowlson-Hall. Her on-screen persona is often coolly intelligent and occasionally stern, a trait she attributes to her desire to challenge expectations.
As Martin chats from the study of her Los Angeles home – an oak-panelled library filled with books that are split between London and LA – it's clear she has a dry sense of humor and an interest in unconventional pursuits. She's been reading David Lynch biography and exploring quantum physics, activities that have earned her puzzled looks from friends who understand only a fraction of what they're discussing.
One topic Martin is keenly interested in, however, is the nature of power and spirituality. In The Testament of Ann Lee, she delves into the complex relationship between abstinence, spiritual devotion, and social hierarchy among the Shakers. "For the movement to be so visceral, and about catharsis, and worshipping … I was just quite surprised that she decided not to have sex with her husband," Martin admits with a chuckle.
Martin's interest in spirituality also led her to explore the mystique surrounding Jane Wardley, whose character embodies both a desire for spiritual connection and an unsettling amount of control. Martin notes how the Shakers sought to empower women by removing societal pressures tied to sex, effectively turning their celibacy into a potent tool for personal and collective liberation.
As we discuss The Testament of Ann Lee, it becomes clear that Stacy Martin is drawn to projects that push boundaries – be they narrative, thematic or creative. Working with Mona Fastvold and Brady Corbet has been an integral part of her growth as an actress and writer, with the pair embodying a symbiotic collaboration that transcends individual visions.
When asked about Fastvold's perspective on her performance, Martin praises the director as "a true cinephile" with an instinctive understanding of larger filmic narratives. As for herself, she finds inspiration in films that resonate with audiences on multiple levels – and is eager to tackle more mainstream projects.
Speaking candidly about her career trajectory, Martin emphasizes her desire to avoid repeating familiar roles. Her recent success has opened doors to the mainstream, including a coveted spot in an upcoming adaptation of Jane Austen's Sense and Sensibility. And if she's being completely honest? A dinosaur-sized dream does still exist – manifesting her presence in the next Jurassic Park.
"I don't want to do the same thing over and over again," Martin says wistfully as we wrap up our conversation, "so I keep trying new things."