Ethan Hawke and Richard Linklater's latest collaboration, Blue Moon, marks their 11th joint venture – a period drama about 1940s Broadway. In an interview with the filmmakers, the conversation revolved around power dynamics, physical transformations, and the blurred lines between artistic expression and personal identity.
Hawke, who played the lead role of Lorenz Hart, a brilliant but troubled lyricist, recounted his experience of taking on a new character that was vastly different from himself. He had to shed his own persona and don a balding wig and comb-over to embody Hart's image. This physical transformation, Hawke noted, had an impact on how he perceived himself – "the disguise is always worse than the thing itself."
Linklater chimed in, pointing out that the actor's wife once joked that Hawke had taken on a new role as well – one of being a successful filmmaker with a steady career. However, this remark seemed to strike a chord within Hawke, who spoke candidly about how he sometimes feels disconnected from his own work and the world around him.
The two filmmakers discussed their struggles with maintaining artistic passion in an industry that demands constant creativity and reinvention. Linklater acknowledged the toll of making independent films on a person's mental health, noting that it can lead to feelings of cynicism and loss of curiosity. In contrast, Hawke expressed his continued enthusiasm for filmmaking, citing Blue Moon as a testament to their dedication to artistic expression over commercial success.
Despite facing industry pressures, Linklater appears undeterred, still exuding energy and optimism despite his advancing age. His approach to the craft seems to be rooted in a sense of playfulness and collaboration – much like his relationship with Hawke. The actor-director duo's partnership has been marked by an enduring creative synergy that has allowed them to explore themes of identity, power dynamics, and artistic expression.
Ultimately, their conversation serves as a reminder that filmmaking is not merely about technical skill or commercial success but also about the passion and dedication required to create something meaningful. As Hawke so aptly put it, "making good art" is what truly defines their craft – a notion that seems unlikely to change in the face of industry pressures or personal doubts.
Hawke, who played the lead role of Lorenz Hart, a brilliant but troubled lyricist, recounted his experience of taking on a new character that was vastly different from himself. He had to shed his own persona and don a balding wig and comb-over to embody Hart's image. This physical transformation, Hawke noted, had an impact on how he perceived himself – "the disguise is always worse than the thing itself."
Linklater chimed in, pointing out that the actor's wife once joked that Hawke had taken on a new role as well – one of being a successful filmmaker with a steady career. However, this remark seemed to strike a chord within Hawke, who spoke candidly about how he sometimes feels disconnected from his own work and the world around him.
The two filmmakers discussed their struggles with maintaining artistic passion in an industry that demands constant creativity and reinvention. Linklater acknowledged the toll of making independent films on a person's mental health, noting that it can lead to feelings of cynicism and loss of curiosity. In contrast, Hawke expressed his continued enthusiasm for filmmaking, citing Blue Moon as a testament to their dedication to artistic expression over commercial success.
Despite facing industry pressures, Linklater appears undeterred, still exuding energy and optimism despite his advancing age. His approach to the craft seems to be rooted in a sense of playfulness and collaboration – much like his relationship with Hawke. The actor-director duo's partnership has been marked by an enduring creative synergy that has allowed them to explore themes of identity, power dynamics, and artistic expression.
Ultimately, their conversation serves as a reminder that filmmaking is not merely about technical skill or commercial success but also about the passion and dedication required to create something meaningful. As Hawke so aptly put it, "making good art" is what truly defines their craft – a notion that seems unlikely to change in the face of industry pressures or personal doubts.