Lucinda Williams has always been known for her thought-provoking lyrics and powerful voice, but at 73, the Americana legend is still pushing boundaries with urgency. Despite being diagnosed with a stroke that forces her to take care when stepping on and off stage, she radiates resolve as soon as she's behind the mic.
Williams' latest album, World's Gone Wrong, has landed her in Belfast, where her sold-out show at the Limelight was unexpectedly rescheduled from Mandela Hall. The crowd is unusually calm for a venue known for its energetic atmosphere, but Williams brings her signature intensity to the performance.
The title track, which shares its name with her latest album, serves as a searing protest song that showcases Williams' writing authority. Her harmonies lock in with Marc Ford's blues lines, played on slide guitar with slow-bend elegance, creating a sense of urgency without overwhelming her phrasing. Brady Blade's cymbals add a shimmering effect, tilting the music skyward.
Williams' ability to transform everyday moments into charged intimacy is on full display in songs like Right in Time and Car Wheels on a Gravel Road, where smell and radio become potent triggers for memory. Her latest protest songs may feel similar, but Williams convincingly argues that these issues need attention and relief.
The show comes to a rousing close with a cover of Neil Young's Rockin' in the Free World, which turns the room into a bellowed sing-along. Even when she hesitates, caught off guard by her mistake about being in Dublin instead of Belfast, Williams is met with forgiveness from the crowd.
In short, Lucinda Williams remains an essential voice in Americana music, using her unique perspective to address pressing issues and connect with audiences through her powerful voice and determined spirit.
Williams' latest album, World's Gone Wrong, has landed her in Belfast, where her sold-out show at the Limelight was unexpectedly rescheduled from Mandela Hall. The crowd is unusually calm for a venue known for its energetic atmosphere, but Williams brings her signature intensity to the performance.
The title track, which shares its name with her latest album, serves as a searing protest song that showcases Williams' writing authority. Her harmonies lock in with Marc Ford's blues lines, played on slide guitar with slow-bend elegance, creating a sense of urgency without overwhelming her phrasing. Brady Blade's cymbals add a shimmering effect, tilting the music skyward.
Williams' ability to transform everyday moments into charged intimacy is on full display in songs like Right in Time and Car Wheels on a Gravel Road, where smell and radio become potent triggers for memory. Her latest protest songs may feel similar, but Williams convincingly argues that these issues need attention and relief.
The show comes to a rousing close with a cover of Neil Young's Rockin' in the Free World, which turns the room into a bellowed sing-along. Even when she hesitates, caught off guard by her mistake about being in Dublin instead of Belfast, Williams is met with forgiveness from the crowd.
In short, Lucinda Williams remains an essential voice in Americana music, using her unique perspective to address pressing issues and connect with audiences through her powerful voice and determined spirit.