Lisa Perry's latest venture, Onna House Soho, has finally opened its doors to the public in the heart of New York City. The gallery space, located within a beautifully restored 1962 Paul Lester Wiener-designed home, is a labor of love for Perry, who has poured her heart and soul into creating a unique and intimate environment that celebrates the art of women.
For Perry, Onna House Soho represents more than just an extension of her East Hampton gallery; it's an opportunity to slow down and appreciate the craftsmanship and beauty of women's work. The gallery is open by appointment only, allowing collectors to experience the works in a setting that feels like a living room, rather than a traditional art space.
At the helm of Onna House Soho are talented artists such as Jessie Mordine Young, whose series "A Woven Year" explores her daily weaving practice and its meditative approach. The gallery also features porcelain ceramics by Leah Kaplan, tree bark woven into itself, and exquisite sculptures made entirely from safety pins by Tamiko Kawata.
What sets Onna House Soho apart is its focus on the intimacy between maker and object, as well as collector and artist. Perry's approach to curation involves carefully pairing works with furniture or other installations in a way that feels like it's already been there for years, creating an immersive experience that makes you feel like you're stepping into a woman's home.
The gallery's success has supported not only the artists but also Perry's own work as a designer. Ultimately, however, she sees herself as more of a curator, and her passion for showcasing women's art is evident in every detail of Onna House Soho.
Onna House Soho feels like a breath of fresh air in New York City's art ecosystem, which often prioritizes speed over craftsmanship. By valuing slowness and the importance of materials and storytelling, Perry's gallery offers a refreshing alternative to the commercial art world. As you step into Onna House Soho, you can't help but feel a sense of warmth and welcome that makes this space truly special.
As for Perry herself, she feels like she's finally found her tribe in the art world. With Onna House Soho, she's not only exhibiting impressive craftsmanship but also shedding light on mediums often associated with women's work and taken less seriously. Her gallery is part of a correction happening now, where the boundaries between fine art and craft are being redrawn.
Perry's vision for Onna House Soho is one that honors the hand of the maker and celebrates the stories embedded in every object. As you explore this beautiful space, you can't help but feel a sense of awe at the incredible talent on display and the passion with which Perry has brought it all together.
For Perry, Onna House Soho represents more than just an extension of her East Hampton gallery; it's an opportunity to slow down and appreciate the craftsmanship and beauty of women's work. The gallery is open by appointment only, allowing collectors to experience the works in a setting that feels like a living room, rather than a traditional art space.
At the helm of Onna House Soho are talented artists such as Jessie Mordine Young, whose series "A Woven Year" explores her daily weaving practice and its meditative approach. The gallery also features porcelain ceramics by Leah Kaplan, tree bark woven into itself, and exquisite sculptures made entirely from safety pins by Tamiko Kawata.
What sets Onna House Soho apart is its focus on the intimacy between maker and object, as well as collector and artist. Perry's approach to curation involves carefully pairing works with furniture or other installations in a way that feels like it's already been there for years, creating an immersive experience that makes you feel like you're stepping into a woman's home.
The gallery's success has supported not only the artists but also Perry's own work as a designer. Ultimately, however, she sees herself as more of a curator, and her passion for showcasing women's art is evident in every detail of Onna House Soho.
Onna House Soho feels like a breath of fresh air in New York City's art ecosystem, which often prioritizes speed over craftsmanship. By valuing slowness and the importance of materials and storytelling, Perry's gallery offers a refreshing alternative to the commercial art world. As you step into Onna House Soho, you can't help but feel a sense of warmth and welcome that makes this space truly special.
As for Perry herself, she feels like she's finally found her tribe in the art world. With Onna House Soho, she's not only exhibiting impressive craftsmanship but also shedding light on mediums often associated with women's work and taken less seriously. Her gallery is part of a correction happening now, where the boundaries between fine art and craft are being redrawn.
Perry's vision for Onna House Soho is one that honors the hand of the maker and celebrates the stories embedded in every object. As you explore this beautiful space, you can't help but feel a sense of awe at the incredible talent on display and the passion with which Perry has brought it all together.