Nikon's new ZR full-frame mirrorless camera offers impressive video quality at a relatively affordable price of $2,200. The first consumer camera to capture video using RED's 12-bit RAW format, it boasts fast and accurate autofocus, pro video monitoring tools, in-body stabilization, and 32-bit float internal audio recording.
In comparison to the existing Nikon Z6 III, the ZR has a boxy design, but a much smaller grip due to its intended use for cinema shooting with cages and handles. Although there is only one 1/4-inch mounting thread on the bottom, this shouldn't be an issue for those planning to rig up their camera.
The large display is its standout feature – at 4 inches it's the largest display I've seen on any mirrorless camera. This huge screen also serves as a perfect primary display for checking the image and controlling the camera, with the brightness reaching 1,000 nits, making it suitable for shooting in sunny conditions.
However, there are some drawbacks to this model. The battery life isn't great, lasting only around 90 minutes of HD shooting or 390 photos per CIPA standards. There's also no electronic viewfinder and stabilization that's less effective than rivals.
The autofocus system is the standout feature of the Nikon ZR. Consistently nailing focus even with moving subjects, it provides a better experience for users compared to cinema cameras from Blackmagic Design, Arri or RED, which are manual-focus only.
When used with the R3D codec and Log3G10, the camera delivers outstanding video quality. The inclusion of RED's R3D RAW codec brings impressive dynamic range, allowing for more flexibility in post-production.
One major drawback to this model is its lack of stabilization during running shots, unlike Panasonic’s S1 II. However, filmmakers often use a gimbal for such scenarios anyway.
In conclusion, Nikon has finally caught up and even surpassed its rivals with the ZR, offering versatile and powerful features at an affordable price. Whether used for social media, YouTube, documentaries or film production, this camera is a great option due to its video quality and ease of use.
In comparison to the existing Nikon Z6 III, the ZR has a boxy design, but a much smaller grip due to its intended use for cinema shooting with cages and handles. Although there is only one 1/4-inch mounting thread on the bottom, this shouldn't be an issue for those planning to rig up their camera.
The large display is its standout feature – at 4 inches it's the largest display I've seen on any mirrorless camera. This huge screen also serves as a perfect primary display for checking the image and controlling the camera, with the brightness reaching 1,000 nits, making it suitable for shooting in sunny conditions.
However, there are some drawbacks to this model. The battery life isn't great, lasting only around 90 minutes of HD shooting or 390 photos per CIPA standards. There's also no electronic viewfinder and stabilization that's less effective than rivals.
The autofocus system is the standout feature of the Nikon ZR. Consistently nailing focus even with moving subjects, it provides a better experience for users compared to cinema cameras from Blackmagic Design, Arri or RED, which are manual-focus only.
When used with the R3D codec and Log3G10, the camera delivers outstanding video quality. The inclusion of RED's R3D RAW codec brings impressive dynamic range, allowing for more flexibility in post-production.
One major drawback to this model is its lack of stabilization during running shots, unlike Panasonic’s S1 II. However, filmmakers often use a gimbal for such scenarios anyway.
In conclusion, Nikon has finally caught up and even surpassed its rivals with the ZR, offering versatile and powerful features at an affordable price. Whether used for social media, YouTube, documentaries or film production, this camera is a great option due to its video quality and ease of use.
I mean, the Nikon ZR! It's like a superhero cape for your camera - it's got all the cool features like RED 12-bit RAW format and fast autofocus... but let's be real, who needs superpowers when you can just get a good battery life? LOL, 90 minutes of HD shooting? That's like having enough snacks to last me through an entire movie marathon! 
But seriously, this camera is looking sharp, especially with that huge display - I'd love to see my selfies in all their glory on a 4-inch screen! 
! $2k is a steal for all the pro features they're packing into this thing. that 4 inch display tho 
, it's like having a mini TV built right in. and yeah, autofocus is where it's at - I've seen some crazy slow focus times on other cameras, but not with the ZR. plus, being able to record 12-bit RAW? 
game changer for color grading. my only gripe would be the battery life, but I guess that's just a trade off for all the power they're cranking out.
this new Nikon ZR full-frame mirrorless camera thingy got me thinkin'... if we're lookin' at the price and the specs, it's like, not bad at all for what you get. but then i think about it, that boxy design and smaller grip might be a bit of a sacrifice for some ppl. i mean, who wants to lug around a big ol camera when u could have one that's more manageable? 
on the other hand, that huge display is pretty sweet. 4 inches is massive! but what really got me thinkin' was the autofocus system. it's like, Nikon finally figured out how to do it right. consistency is key, right? 
and all these video quality features... i mean, it's like they're tryin' to make up for somethin'. like, you gotta earn your video quality, u know? 
is defo changing the game! I mean, who wouldn't want a massive 4-inch screen to check their images on? 
It's like having a tiny laptop built right into your camera. And that autofocus system is INSANE 
. The autofocus system sounds insane, it's like having your own personal camera ninja 
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. But overall, for the price point, I think this camera is a steal. And the RED R3D codec? Game changer for any filmmaker or content creator out there 
. But yeah, I do wish they'd worked on the battery life and stabilization – 90 minutes of HD shooting? That's just crazy talk! 
. And let's talk about autofocus - this camera nails focus like nobody's business 
), but for the price, you're getting an incredible deal. It's a solid option for anyone in the market for a high-quality mirrorless camera that can keep up with their cinematic needs 
but battery life could be better and stabilization isn't as strong as some rivals... still, this camera seems like a beast for filmmakers! 
I mean who needs manual focus when you can just nail that perfect shot every time? 
btw, nikon's website doesn't have any info about the camera's actual image quality... anyone else saw that 
. If you're a filmmaker or just starting out with cinema stuff, this camera is a no-brainer 
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Also, the autofocus system sounds insane - I've had issues with focus in the past when shooting moving subjects, so this would be a game-changer. 
The video quality is insane! I mean I've seen some of my fave vids shot on RED and Blackmagic Design cameras but this one takes the cake 
The autofocus system is so accurate even with moving subjects, it's like a dream come true for filmmakers 
And that huge 4-inch display tho 
It's like having an iPad built into your camera body lol! My only concern would be battery life, but I guess u can always stash some extra batteries or use a power bank 
. and what's up with the battery life tho? 90 mins of hd shooting? that's like, half a day of vlogging 