A selection of three large-scale paintings by William Scott, a pioneer of abstract art in the UK, will be displayed in the West Country as part of an exhibition showcasing his work in Somerset.
The works, painted in the late 1950s during Scott's peak creative period, offer a glimpse into the artist's unique style. One piece, "Ochre Still Life", features everyday objects such as pots and pans, while another, "Black Painting", appears to be an abstract representation of stone walls. These pieces were chosen for their significance in illustrating Scott's development as an artist.
The exhibition, titled "Beauty in Plainness - William Scott in Somerset", is a testament to the artist's philosophy that beauty can be found in ordinary, everyday life. This phrase was one of Scott's most oft-repeated assertions throughout his career.
Scott's artistic journey took him from humble beginnings in the West Country to establishing himself as an influential figure in the UK art scene. One notable encounter during this time was with American artist Mark Rothko, whom he met while working on a large mural project in Northern Ireland. The two artists shared their passion for abstract expressionism and discussed their respective murals.
In 1959, Rothko visited Scott's home in Somerset, sparking an engaging conversation about art and the environment. However, it was during this visit that Rothko began to question the suitability of his artworks within a domestic setting. Feeling constrained by the exclusive atmosphere of the restaurant where he had commissioned the mural series, Rothko withdrew from the project.
Today, these paintings are being loaned to the Museum of Somerset for the first time in over 60 years, offering a rare opportunity to see Scott's work up close. The exhibition is set to run until February 2026 and will be accompanied by a talk about Scott's life and artistic journey at the museum on November 14th.
In this unique exhibition, "Beauty in Plainness - William Scott in Somerset" invites visitors to appreciate the beauty found in everyday objects and environments, much like Scott believed.
				
			The works, painted in the late 1950s during Scott's peak creative period, offer a glimpse into the artist's unique style. One piece, "Ochre Still Life", features everyday objects such as pots and pans, while another, "Black Painting", appears to be an abstract representation of stone walls. These pieces were chosen for their significance in illustrating Scott's development as an artist.
The exhibition, titled "Beauty in Plainness - William Scott in Somerset", is a testament to the artist's philosophy that beauty can be found in ordinary, everyday life. This phrase was one of Scott's most oft-repeated assertions throughout his career.
Scott's artistic journey took him from humble beginnings in the West Country to establishing himself as an influential figure in the UK art scene. One notable encounter during this time was with American artist Mark Rothko, whom he met while working on a large mural project in Northern Ireland. The two artists shared their passion for abstract expressionism and discussed their respective murals.
In 1959, Rothko visited Scott's home in Somerset, sparking an engaging conversation about art and the environment. However, it was during this visit that Rothko began to question the suitability of his artworks within a domestic setting. Feeling constrained by the exclusive atmosphere of the restaurant where he had commissioned the mural series, Rothko withdrew from the project.
Today, these paintings are being loaned to the Museum of Somerset for the first time in over 60 years, offering a rare opportunity to see Scott's work up close. The exhibition is set to run until February 2026 and will be accompanied by a talk about Scott's life and artistic journey at the museum on November 14th.
In this unique exhibition, "Beauty in Plainness - William Scott in Somerset" invites visitors to appreciate the beauty found in everyday objects and environments, much like Scott believed.