Larry Sultan, a photographer known for his nuanced portrayal of American domestic life, was once described by the military as an "anxiety-prone individual who felt like a 'left-out observer looking inside'". This self-deprecating label proved to be a blessing in disguise, allowing him to capture the complexities of everyday life with a unique blend of familiarity and irony.
Sultan's photographic journey began in the San Fernando Valley, where he rented out homes for adult film shoots. He would photograph these interiors, filled with ornate furnishings and kitschy decor, capturing the tension between the mundane and the bizarre. One image shows a naked actress relaxing on set, while another depicts a crew member organizing equipment. These scenes, though staged, offer a glimpse into the artificial world of adult entertainment.
Sultan's camera also turned to his own family, documenting his parents in their Valley home. The resulting series, "Pictures from Home," is both intimate and unsettling. His father, an orphan-turned-businessman, is seen practicing his golf swing, while his mother wears bright pink socks and a matching hoodie. These images reveal the complexities of family dynamics, where the private and public spheres often blur.
Throughout his career, Sultan's work was marked by a sense of curiosity and experimentation. He collaborated with fellow artist Mike Mandel on "Evidence," a groundbreaking series that used archival images to explore themes of desire, control, and technological advancement. This work prefigured the Pictures Generation, a movement that would later come to define American photography in the 1970s.
Sultan's teaching career was also deeply intertwined with his artistic practice. He taught at California College of the Arts for two decades, sharing his love of photography and encouraging fellow artists. His students affectionately remember him as "fellow travellers" who introduced them to the world of art.
Larry Sultan's photographs are a testament to the power of observation and curiosity. Through his lens, we see the complexities of American domestic life β its kitsch, its intimacy, and its contradictions. By holding up a mirror to himself and his family, he created an unprecedented portrait of the human experience.
Sultan's photographic journey began in the San Fernando Valley, where he rented out homes for adult film shoots. He would photograph these interiors, filled with ornate furnishings and kitschy decor, capturing the tension between the mundane and the bizarre. One image shows a naked actress relaxing on set, while another depicts a crew member organizing equipment. These scenes, though staged, offer a glimpse into the artificial world of adult entertainment.
Sultan's camera also turned to his own family, documenting his parents in their Valley home. The resulting series, "Pictures from Home," is both intimate and unsettling. His father, an orphan-turned-businessman, is seen practicing his golf swing, while his mother wears bright pink socks and a matching hoodie. These images reveal the complexities of family dynamics, where the private and public spheres often blur.
Throughout his career, Sultan's work was marked by a sense of curiosity and experimentation. He collaborated with fellow artist Mike Mandel on "Evidence," a groundbreaking series that used archival images to explore themes of desire, control, and technological advancement. This work prefigured the Pictures Generation, a movement that would later come to define American photography in the 1970s.
Sultan's teaching career was also deeply intertwined with his artistic practice. He taught at California College of the Arts for two decades, sharing his love of photography and encouraging fellow artists. His students affectionately remember him as "fellow travellers" who introduced them to the world of art.
Larry Sultan's photographs are a testament to the power of observation and curiosity. Through his lens, we see the complexities of American domestic life β its kitsch, its intimacy, and its contradictions. By holding up a mirror to himself and his family, he created an unprecedented portrait of the human experience.