I mean think about it... masterclasses are always cool but we should also be supporting our own film schools & workshops so more people from diverse backgrounds can learn the craft 
 . And honestly, working with non-pros can be a game changer, I've seen it too in indie films where you have to trust your instincts and adapt to what works best for the story... sometimes those unpolished takes lead to magic
. And honestly, working with non-pros can be a game changer, I've seen it too in indie films where you have to trust your instincts and adapt to what works best for the story... sometimes those unpolished takes lead to magic 
				
			
 . And honestly, working with non-pros can be a game changer, I've seen it too in indie films where you have to trust your instincts and adapt to what works best for the story... sometimes those unpolished takes lead to magic
. And honestly, working with non-pros can be a game changer, I've seen it too in indie films where you have to trust your instincts and adapt to what works best for the story... sometimes those unpolished takes lead to magic 
 what really stood out to me is how he talks about the importance of casting decisions in maintaining audience interest over 2 hours... its like, you gotta find that magic balance between keeping people engaged and giving them something real to care about. and i love how he mentions non-professional actors bringing this unique presence to their roles
 what really stood out to me is how he talks about the importance of casting decisions in maintaining audience interest over 2 hours... its like, you gotta find that magic balance between keeping people engaged and giving them something real to care about. and i love how he mentions non-professional actors bringing this unique presence to their roles 
