The new musical adaptation of Carlo Collodi's classic tale, Pinocchio, is a masterful reimagining of the beloved story, trading in its darkness for a heartwarming and hilarious exploration of family, love, and the complexities of growing up.
In this full-tilt production, Charlie Josephine's book brings to life the adventures of Geppetto, a free-thinking inventor who becomes an outcast in his narrow-minded Italian town. His creation, Pinocchio, is more than just a puppet – he's a symbol of curiosity and impulsiveness that leads him on a journey of self-discovery. With Peter O'Rourke's simple yet expressive wooden design, the puppeteers bring Pinocchio to life with wild and wonder-filled voices, perfectly capturing his zest for life.
The show's direction by Sean Holmes is meticulous, bringing out the best in the 14-strong cast as they navigate the complex web of relationships and morality that Collodi's story explores. Kerry Frampton and Lucy McCormick shine as the villainous Fox and Cat, while Steven Webb steals the show as the campy Giacomo Cricket and the terrifying Coachman.
But what truly sets Pinocchio apart is its nuanced portrayal of Geppetto's transformation from nervous caregiver to fully-fledged father. This heartwarming addition adds depth to the story, highlighting the importance of connection and love in shaping us into the people we become. The production's use of meta-theatricality, with a nod to Shakespeare's Globe's collapsible fourth wall, adds an extra layer of cleverness to the show.
The musical numbers are catchy and witty, ranging from rock'n'roll to ska, pop to blues, all thanks to Jim Fortune's inventive songwriting. The ensemble performances are excellent, nailing Vicki Igbokwe-Ozoagu's choreography with ease. While some of the lyrics can be a bit fast-paced at times, they add to the overall sense of energy and joy that permeates every aspect of this production.
Overall, Pinocchio is a triumphant adaptation that not only stays true to the original story but also injects it with fresh humor, heart, and humanity. It's a testament to the power of storytelling and the importance of connection in shaping us into the people we become.
In this full-tilt production, Charlie Josephine's book brings to life the adventures of Geppetto, a free-thinking inventor who becomes an outcast in his narrow-minded Italian town. His creation, Pinocchio, is more than just a puppet – he's a symbol of curiosity and impulsiveness that leads him on a journey of self-discovery. With Peter O'Rourke's simple yet expressive wooden design, the puppeteers bring Pinocchio to life with wild and wonder-filled voices, perfectly capturing his zest for life.
The show's direction by Sean Holmes is meticulous, bringing out the best in the 14-strong cast as they navigate the complex web of relationships and morality that Collodi's story explores. Kerry Frampton and Lucy McCormick shine as the villainous Fox and Cat, while Steven Webb steals the show as the campy Giacomo Cricket and the terrifying Coachman.
But what truly sets Pinocchio apart is its nuanced portrayal of Geppetto's transformation from nervous caregiver to fully-fledged father. This heartwarming addition adds depth to the story, highlighting the importance of connection and love in shaping us into the people we become. The production's use of meta-theatricality, with a nod to Shakespeare's Globe's collapsible fourth wall, adds an extra layer of cleverness to the show.
The musical numbers are catchy and witty, ranging from rock'n'roll to ska, pop to blues, all thanks to Jim Fortune's inventive songwriting. The ensemble performances are excellent, nailing Vicki Igbokwe-Ozoagu's choreography with ease. While some of the lyrics can be a bit fast-paced at times, they add to the overall sense of energy and joy that permeates every aspect of this production.
Overall, Pinocchio is a triumphant adaptation that not only stays true to the original story but also injects it with fresh humor, heart, and humanity. It's a testament to the power of storytelling and the importance of connection in shaping us into the people we become.