Musicians Rush to Capture Lamentation of Minneapolis Woman Killed by ICE Agent in Protest Songs
Renee Good's shocking murder at the hands of an ICE agent has triggered a wave of protest songs pouring out of musicians, each attempting to articulate outrage and despair at her senseless loss. These songs represent a quintessential response from American musicians to societal tragedies - transforming anguish into music.
In these short folk-based tunes, none longer than two minutes, mourners try to make sense of an inhumane display of state violence that left Renee Good dead. Her killing has sparked numerous musical tributes across various platforms and genres.
Jesse Welles' "Good vs. Ice" is one such song - this musician's latest topical release, which expresses outrage and hurt over the event. "You probably don't need to shoot someone in the face," Welles sings, “to do the thing that you're calling a job.”
Zach Schmidt's ballad, “T.T.T.T.M.I.D.S.W.I.S.” (They Tried to Tell Me I Didn’t See What I Saw”) zeroes in on dissonance of trying to square the footage of Good’s killing with the story being told by the current administration.
Odin Scott Coleman's "A Song for Renee Good" takes a different sonic approach, conjuring centuries-old Appalachian traditions and placing Good's tragedy into the tradition of the American murder ballad. By doing so, Coleman expresses his outrage at America's broken justice system.
Kata's song, titled simply “Untitled,” zeroes in on haunted geography of Minneapolis uprising that took place following George Floyd's murder five years ago. Kata positions Renee Good's death within this larger context to amplify its power.
Caitlin Cook's song, "Renee," tenderly mourns the poet and mother who was brutally taken from her life by ICE agents' hand. The song brings out a sense of national sorrow as Cook sings that Good is now being recognized for her work despite not knowing her before.
These protest songs capture America’s complex response to societal tragedies - transforming pain into music, each one pushing boundaries in their creative expression and emotional resonance.
Renee Good's shocking murder at the hands of an ICE agent has triggered a wave of protest songs pouring out of musicians, each attempting to articulate outrage and despair at her senseless loss. These songs represent a quintessential response from American musicians to societal tragedies - transforming anguish into music.
In these short folk-based tunes, none longer than two minutes, mourners try to make sense of an inhumane display of state violence that left Renee Good dead. Her killing has sparked numerous musical tributes across various platforms and genres.
Jesse Welles' "Good vs. Ice" is one such song - this musician's latest topical release, which expresses outrage and hurt over the event. "You probably don't need to shoot someone in the face," Welles sings, “to do the thing that you're calling a job.”
Zach Schmidt's ballad, “T.T.T.T.M.I.D.S.W.I.S.” (They Tried to Tell Me I Didn’t See What I Saw”) zeroes in on dissonance of trying to square the footage of Good’s killing with the story being told by the current administration.
Odin Scott Coleman's "A Song for Renee Good" takes a different sonic approach, conjuring centuries-old Appalachian traditions and placing Good's tragedy into the tradition of the American murder ballad. By doing so, Coleman expresses his outrage at America's broken justice system.
Kata's song, titled simply “Untitled,” zeroes in on haunted geography of Minneapolis uprising that took place following George Floyd's murder five years ago. Kata positions Renee Good's death within this larger context to amplify its power.
Caitlin Cook's song, "Renee," tenderly mourns the poet and mother who was brutally taken from her life by ICE agents' hand. The song brings out a sense of national sorrow as Cook sings that Good is now being recognized for her work despite not knowing her before.
These protest songs capture America’s complex response to societal tragedies - transforming pain into music, each one pushing boundaries in their creative expression and emotional resonance.