A night out at the R&B Xmas Ball was exactly what the artists had in store for the crowd - a trip back to the 90s, where classic R&B ruled supreme. As Dru Hill, Joe, Toni Braxton and Boyz II Men took the stage, it was clear that this Christmas concert wasn't about reinventing old songs or showcasing new Christmas classics, but rather about reviving the essence of 90s R&B.
The evening kicked off with Dru Hill delivering their signature smooth sound in matching outfits, accompanied by vintage music videos from their heyday. Meanwhile, Joe's solo set provided a gentle warm-up for Braxton's performance, which was expertly woven together to pay tribute to her own heritage and resilience as an artist.
A particularly memorable moment came when Burna Boy's 'Last Last' transitioned into Toni Braxton's timeless hit 'He Wasn't Man Enough', cleverly tying in the two through a nod to her Nigerian roots. But it was only after nine songs that Braxton opened up about her personal struggles with lupus, and shared an emotional performance of 'Breathe Again' while standing alone under a spotlight. The moment catapulted into the powerful anthem 'Long As I Live', where Braxton truly captured the hearts of the audience.
The evening was equally thrilling for Boyz II Men, who arrived in dazzling white outfits to open with Motownphilly and then treated the crowd to hits like Water Runs Dry and On Bended Knee. Their harmonies were nothing short of awe-inspiring - completely polished but also effortlessly responsive to their live band.
One of the standout moments was when Shawn Stockman paid a beautiful tribute by performing an instrumental on his purple guitar during their rendition of Prince's 'Purple Rain'. It demonstrated how deeply these artists draw from the music that inspired them, and it added to the evening's sense of reverence for 90s R&B pioneers.
The performance did stumble at times, with some technical issues and a somewhat rough production quality. However, despite these minor drawbacks, the end result was nothing short of magical. As the night drew to a close, with sets like Silent Night and Let It Snow providing welcome respite from the nostalgia-fueled festivities, it felt more like an intimate tribute act than anything else - an evening where both artists and audience were united in their celebration of R&B's golden age.
The evening kicked off with Dru Hill delivering their signature smooth sound in matching outfits, accompanied by vintage music videos from their heyday. Meanwhile, Joe's solo set provided a gentle warm-up for Braxton's performance, which was expertly woven together to pay tribute to her own heritage and resilience as an artist.
A particularly memorable moment came when Burna Boy's 'Last Last' transitioned into Toni Braxton's timeless hit 'He Wasn't Man Enough', cleverly tying in the two through a nod to her Nigerian roots. But it was only after nine songs that Braxton opened up about her personal struggles with lupus, and shared an emotional performance of 'Breathe Again' while standing alone under a spotlight. The moment catapulted into the powerful anthem 'Long As I Live', where Braxton truly captured the hearts of the audience.
The evening was equally thrilling for Boyz II Men, who arrived in dazzling white outfits to open with Motownphilly and then treated the crowd to hits like Water Runs Dry and On Bended Knee. Their harmonies were nothing short of awe-inspiring - completely polished but also effortlessly responsive to their live band.
One of the standout moments was when Shawn Stockman paid a beautiful tribute by performing an instrumental on his purple guitar during their rendition of Prince's 'Purple Rain'. It demonstrated how deeply these artists draw from the music that inspired them, and it added to the evening's sense of reverence for 90s R&B pioneers.
The performance did stumble at times, with some technical issues and a somewhat rough production quality. However, despite these minor drawbacks, the end result was nothing short of magical. As the night drew to a close, with sets like Silent Night and Let It Snow providing welcome respite from the nostalgia-fueled festivities, it felt more like an intimate tribute act than anything else - an evening where both artists and audience were united in their celebration of R&B's golden age.