Rosalía's latest release, Lux, is an audacious and challenging listen that defies easy categorization. By her own admission, she made this album as a reaction to the mindless indulgence of scrolling social media - a sentiment that rings particularly true in today's algorithm-driven music landscape.
In many ways, Rosalía has form for pushing boundaries with her artistry. Her previous albums, El Mal Querer and Motomami, both represented dramatic shifts in sound and style, and Lux is no exception. While both of those predecessors were pop albums, they were wildly adventurous and original in their own right.
But Lux is something else entirely. This album is a sprawling, 10-song epic that defies easy summarization. It's a song cycle based on the lives of female saints, with Rosalía singing in 13 different languages to the accompaniment of a full orchestra. The result is an album that sounds like nothing you've heard before - and often feels more akin to classical music than anything else.
This isn't to say that there aren't pop elements at play here. You can hear Auto-Tune, Bernard Herrmann-esque string arrangements, and even rapping in some of the tracks. But these elements never feel central to Lux's sound; instead, they seem like ghostly presences drifting through a strange and beautiful landscape.
One of the biggest surprises on Lux is its use of guest artists. Björk makes a memorable appearance on the song "Berghain," her distinctive voice adding an otherworldly quality to the track. It's hard not to suspect that Rosalía sees Björk as a kindred spirit - someone who has built a career on taking bold artistic risks.
The album's sound is at times overwhelming, with sudden leaps between languages and styles that can be disorienting even with the aid of lyrics. But Rosalía's vocal performances are consistently stunning, imbuing each song with an emotional rawness that makes them feel deeply personal and relatable.
Ultimately, Lux is an album that demands a lot from its listeners - not just in terms of its complexity and ambition, but also in terms of their willingness to engage with it on a deeper level. It's an album that asks you to put effort into appreciating it, rather than just letting the algorithm do the work for you.
And yet, for all its challenges, Lux is an incredibly compelling listen - one that rewards close attention and repeated listens. In a world where music is increasingly disposable and ephemeral, this album feels like a breath of fresh air - a reminder that art can still be a powerful force for change and connection.
In many ways, Rosalía has form for pushing boundaries with her artistry. Her previous albums, El Mal Querer and Motomami, both represented dramatic shifts in sound and style, and Lux is no exception. While both of those predecessors were pop albums, they were wildly adventurous and original in their own right.
But Lux is something else entirely. This album is a sprawling, 10-song epic that defies easy summarization. It's a song cycle based on the lives of female saints, with Rosalía singing in 13 different languages to the accompaniment of a full orchestra. The result is an album that sounds like nothing you've heard before - and often feels more akin to classical music than anything else.
This isn't to say that there aren't pop elements at play here. You can hear Auto-Tune, Bernard Herrmann-esque string arrangements, and even rapping in some of the tracks. But these elements never feel central to Lux's sound; instead, they seem like ghostly presences drifting through a strange and beautiful landscape.
One of the biggest surprises on Lux is its use of guest artists. Björk makes a memorable appearance on the song "Berghain," her distinctive voice adding an otherworldly quality to the track. It's hard not to suspect that Rosalía sees Björk as a kindred spirit - someone who has built a career on taking bold artistic risks.
The album's sound is at times overwhelming, with sudden leaps between languages and styles that can be disorienting even with the aid of lyrics. But Rosalía's vocal performances are consistently stunning, imbuing each song with an emotional rawness that makes them feel deeply personal and relatable.
Ultimately, Lux is an album that demands a lot from its listeners - not just in terms of its complexity and ambition, but also in terms of their willingness to engage with it on a deeper level. It's an album that asks you to put effort into appreciating it, rather than just letting the algorithm do the work for you.
And yet, for all its challenges, Lux is an incredibly compelling listen - one that rewards close attention and repeated listens. In a world where music is increasingly disposable and ephemeral, this album feels like a breath of fresh air - a reminder that art can still be a powerful force for change and connection.
It's like she took all the frustration with social media and turned it into this epic masterpiece 
That 10-song cycle is crazy, but I think it's also kind of genius - who else would dare to sing in 13 languages? 
And Björk's feature on "Berghain" is insane! They're like two musical souls colliding 
. Lux is definitely not for the faint of heart, though - I had to listen to it a few times just to get used to all the different styles and languages 
But honestly, that's what makes it so rewarding when you finally do understand it 
. It's like she took all the boundaries of music and just... pushed them 
. I mean, singing in 13 different languages? That's wild talk! And the way she incorporates classical elements with pop and hip-hop... it's like a whole new language is being born 
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. It's like they were speaking the same language or something. Rosalía's got some serious taste in collaborators 
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. It's like she took a wild road trip to nowhere (in the best way possible) and brought back this 10-song masterpiece with some of the most talented guest artists in music. Björk on "Berghain"? Iconic. The fact that Rosalía's singing in 13 languages is just mind-blowing...and kinda intimidating? Like, what if I don't speak Spanish or Catalan? 
But honestly, this album feels like a reminder that art can still be special and meaningful in today's world – so we should take our time to really listen, even when it gets weird (and it will get weird, trust me) 
and I'm still trying to figure out all the bells and whistles on it 
. Anyway, back to Rosalía's new album Lux... I've been listening to it nonstop, and honestly, it's a bit too much for me 
. And Björk on one of the tracks? Mind. Blown. 
. It's like she's speaking a different language in that song 
. Anyway, Lux is not just an album, it's an experience 
. You gotta put on your thinking cap and dive in headfirst 
. I love how Rosalía isn't holding back on this one - no easy pop songs here 
. It's like she's saying, "Hey, you wanna listen to music? Okay, but are you ready for the ride?" 
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. Don't get me wrong, her vocals are insane and the song cycle thingy is pretty cool, but it feels like she's trying to outdo herself in a way that's kinda exhausting. Like, have you ever listened to an entire album back-to-back? It's like, my brain just can't handle all that complexity 
. And don't even get me started on the language thing - I love a good linguistic challenge as much as the next person, but some of those languages are super obscure and it feels like Rosalía is basically speaking her own language or whatever 
. Still, I gotta respect her dedication to her art and all that... maybe I'm just too cynical 
- their vocals together are just magic! And the fact that she's singing in 13 languages is insane, but also totally mesmerizing 
. And trust me, it's worth the effort - there's something so special about Lux that just draws you in and won't let go 
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. And that guest appearance by Björk? Mind blown 
. But hey, at least Lux is trying to shake things up... and I'll be darned if it doesn't work 
!
with everyone constantly scrolling through their feeds, it's like we've forgotten that music can be more than just background noise - it can be a way to touch someone's soul. and rosalia's album is like a wake-up call, telling us that if we want to truly experience the beauty of music, we gotta slow down and really listen 
i mean, 13 languages? whoa that's wild! but what really gets me is how she's not holding back at all - no filters, no Instagram-perfect moments. it's like she's saying "listen to me, i'm real, i'm messy, and i'm beautiful" 
I love how she collaborated with Björk too, that's just iconic 
Lux is defo the kind of album you gotta take your time with, not just throw on repeat and forget about. it's like a journey, man