Director Edgar Wright has brought back to life the sci-fi thriller satire classic from 1987, starring Glen Powell in the lead role of Ben, an honest and hardworking man living in a dystopian US ruled by a powerful corporation. The film is a fun update of Stephen King's original 1982 novel "The Running Man," written under his pseudonym Richard Bachman.
Wright ramps up the pace with some high-octane chase sequences that are full of energy, while also delivering some memorable pop culture references, including Spencer Davis Group's iconic song "Keep on Running." The film also features a punk aesthetic, reflecting the anti-establishment values of the underground rebels who produce protest zines.
Powell shines as Ben, an everyman character driven to desperation by his circumstances. His wife Sheila (Jayme Lawson) faces exploitation at her job in the club where she works, a situation that King's novel handles more explicitly. In a last-ditch effort to save their daughter's life, Ben signs up for a top-rated reality TV show called The Running Man, which promises a billion dollars to anyone who can survive 30 days on the run.
However, things quickly take a turn for the worse as Ben realizes that the show's producers will stop at nothing to manipulate him and make it impossible for him to escape. Wright skillfully milks this tension to create an uncomfortable sense of unease, particularly in his use of AI-generated videos to fabricate evidence against Ben.
The film raises some thought-provoking questions about the ethics of reality TV shows and our reliance on technology to shape public opinion. While it doesn't fully address these issues, Wright's direction remains confident and engaging, making The Running Man a fun and watchable ride that fans of sci-fi satire will appreciate.
Wright ramps up the pace with some high-octane chase sequences that are full of energy, while also delivering some memorable pop culture references, including Spencer Davis Group's iconic song "Keep on Running." The film also features a punk aesthetic, reflecting the anti-establishment values of the underground rebels who produce protest zines.
Powell shines as Ben, an everyman character driven to desperation by his circumstances. His wife Sheila (Jayme Lawson) faces exploitation at her job in the club where she works, a situation that King's novel handles more explicitly. In a last-ditch effort to save their daughter's life, Ben signs up for a top-rated reality TV show called The Running Man, which promises a billion dollars to anyone who can survive 30 days on the run.
However, things quickly take a turn for the worse as Ben realizes that the show's producers will stop at nothing to manipulate him and make it impossible for him to escape. Wright skillfully milks this tension to create an uncomfortable sense of unease, particularly in his use of AI-generated videos to fabricate evidence against Ben.
The film raises some thought-provoking questions about the ethics of reality TV shows and our reliance on technology to shape public opinion. While it doesn't fully address these issues, Wright's direction remains confident and engaging, making The Running Man a fun and watchable ride that fans of sci-fi satire will appreciate.