A Brutalist Fortress Rises from the Ivy-Clad Streets of Princeton
On the picturesque campus of Princeton University in New Jersey, a fortress-like building has materialized, defying expectations and shattering conventions. The new Princeton University Art Museum, designed by Ghanaian-British architect David Adjaye, stands as a testament to the power of art and architecture combined.
The building's imposing structure is clad in rows of vertical grey ribs, creating a sense of foreboding that belies its true purpose: to house a vast collection of art and antiquities. The vault-like quality of the design is fitting, considering the museum's contents span over 117,000 objects, ranging from ancient Etruscan urns to expressionist paintings.
The scandal surrounding Adjaye in 2023 – when three women accused him of sexual assault and harassment – cast a cloud over the project. However, under the guidance of new lead architects Marc McQuade, Erin Flynn, and Ron McCoy, the museum has risen above its tumultuous past. The result is a place of rare substance and craft that revels in its theatrical spatial effects and sensuous material details.
As visitors approach the complex, they are greeted by nine raised gallery pavilions that seem to soften at ground level, with terraces and ramps leading them into the museum on all four sides. The principal entrance, beneath a low overhang, opens into a dramatic four-storey space featuring a colossal mosaic figure by artist Nick Cave. A grand staircase beckons visitors to explore the galleries, mirroring a 15th-century limestone staircase from Mallorca.
The sequence of galleries is brilliantly judged, switching size, height, and colour to avoid museum fatigue. Each gallery has a distinct hue, ranging from pale greens to deep blues, with some walls upholstered in richly patterned fabrics. The display cases designed by Goppion of Milan allow dense groupings of objects to shine.
One of the most striking features of the museum is its ability to encourage visitors to wander aimlessly. "We want people to get productively lost," says James Steward, the museum's director. The hope is that visitors will have accidental encounters on their way from A to B, and that the museum becomes a place where art and architecture blend seamlessly together.
The impressive quality of construction – particularly unusual in the US – is a testament to the client's exacting standards and the precision of the contractor, LF Driscoll. The building's materials have been carefully selected to create a sense of warmth and humanity, despite its imposing exterior.
Ultimately, the Princeton University Art Museum is a triumph of art and architecture combined. It stands as a beacon of creativity and innovation, proof that even in the face of controversy and scandal, great things can be achieved with collaboration, dedication, and a commitment to excellence.
On the picturesque campus of Princeton University in New Jersey, a fortress-like building has materialized, defying expectations and shattering conventions. The new Princeton University Art Museum, designed by Ghanaian-British architect David Adjaye, stands as a testament to the power of art and architecture combined.
The building's imposing structure is clad in rows of vertical grey ribs, creating a sense of foreboding that belies its true purpose: to house a vast collection of art and antiquities. The vault-like quality of the design is fitting, considering the museum's contents span over 117,000 objects, ranging from ancient Etruscan urns to expressionist paintings.
The scandal surrounding Adjaye in 2023 – when three women accused him of sexual assault and harassment – cast a cloud over the project. However, under the guidance of new lead architects Marc McQuade, Erin Flynn, and Ron McCoy, the museum has risen above its tumultuous past. The result is a place of rare substance and craft that revels in its theatrical spatial effects and sensuous material details.
As visitors approach the complex, they are greeted by nine raised gallery pavilions that seem to soften at ground level, with terraces and ramps leading them into the museum on all four sides. The principal entrance, beneath a low overhang, opens into a dramatic four-storey space featuring a colossal mosaic figure by artist Nick Cave. A grand staircase beckons visitors to explore the galleries, mirroring a 15th-century limestone staircase from Mallorca.
The sequence of galleries is brilliantly judged, switching size, height, and colour to avoid museum fatigue. Each gallery has a distinct hue, ranging from pale greens to deep blues, with some walls upholstered in richly patterned fabrics. The display cases designed by Goppion of Milan allow dense groupings of objects to shine.
One of the most striking features of the museum is its ability to encourage visitors to wander aimlessly. "We want people to get productively lost," says James Steward, the museum's director. The hope is that visitors will have accidental encounters on their way from A to B, and that the museum becomes a place where art and architecture blend seamlessly together.
The impressive quality of construction – particularly unusual in the US – is a testament to the client's exacting standards and the precision of the contractor, LF Driscoll. The building's materials have been carefully selected to create a sense of warmth and humanity, despite its imposing exterior.
Ultimately, the Princeton University Art Museum is a triumph of art and architecture combined. It stands as a beacon of creativity and innovation, proof that even in the face of controversy and scandal, great things can be achieved with collaboration, dedication, and a commitment to excellence.