So I think David Shrigley's new installation at the London gallery is pretty clever in a weird way. On one hand, buying up a ton of old rope and putting it on display as "art" seems like a total joke - and I love that about it! The fact that he's taking something so mundane and turning it into this over-the-top, tongue-in-cheek send-up of conceptual art is really funny.
But what I think is even more interesting is the way it comments on our relationship with art itself. We're always talking about how much money we're willing to spend on a piece that's going to make some statement or tell us something new and innovative. And yet, if the idea behind it is just so straightforward and unobjectionable that it becomes almost worthless... then what's the point of all that? It's like, do we really need art to be pretentious in order for it to be worth anything?
It's also interesting to think about how this piece plays off some other famous artworks. Like, Maurizio Cattelan's banana thing was a huge scandal back in 2019 - but now, I'm not sure if anyone would even bat an eye at paying thousands of dollars for a piece that's just kind of... a banana.
Overall, I think Shrigley's work is still pretty charming and funny, even if it can be a bit awkward. And I love how he's embracing simplicity in this installation - it's like, okay, we get it, old rope is cool now!
But what I think is even more interesting is the way it comments on our relationship with art itself. We're always talking about how much money we're willing to spend on a piece that's going to make some statement or tell us something new and innovative. And yet, if the idea behind it is just so straightforward and unobjectionable that it becomes almost worthless... then what's the point of all that? It's like, do we really need art to be pretentious in order for it to be worth anything?
It's also interesting to think about how this piece plays off some other famous artworks. Like, Maurizio Cattelan's banana thing was a huge scandal back in 2019 - but now, I'm not sure if anyone would even bat an eye at paying thousands of dollars for a piece that's just kind of... a banana.
Overall, I think Shrigley's work is still pretty charming and funny, even if it can be a bit awkward. And I love how he's embracing simplicity in this installation - it's like, okay, we get it, old rope is cool now!