Norman Foster's new skyscraper is an affront to New York skyline.
A gargantuan lump of structural steel has burst onto the Manhattan skyline, climbing in bulk like a behemoth from the depths. Its sheer scale defies comprehension, with 95,000 tonnes of steel used in its construction – enough to wrap around the world twice. The building's designers boast that it will be an iconic landmark, but for many, it looks more like a hulking monstrosity that threatens to engulf everything in its path.
JP Morgan's new headquarters is a 60-storey, $4bn skyscraper with a 'fortress balance sheet'. Chairman Jamie Dimon wants to assert his bank's dominance over the global economy. However, the building's design does not live up to its boastful claims. The structural steelwork is far more extensive than necessary, using 60% more metal than the Empire State Building – an imposing structure that has stood tall for generations.
While its sleek granite exterior boasts an impressive facade of carved boulders designed by Maya Lin, at street level, the tower erupts from the sidewalk with monstrous steel columns that fan out in all directions like giant fingers. The once-vibrant Union Carbide headquarters was demolished recently to make way for this new behemoth. Just seven years after undergoing a major renovation, it was torn down without any thought for its environmental impact.
JP Morgan's aggressive expansion has sparked outrage among locals and architects alike. Critics point out that the building's design prioritizes raw power over elegance and functionality. Engineer calculations have revealed that with some tweaks to the design, the carbon footprint of the tower could be reduced by 20-30%. However, it seems that cost – and ego – are more important than aesthetics in this massive corporate headquarters.
In a wider context, this building is part of a growing trend of supertalls sprouting up across Manhattan. With Foster+Partners as their architect, these skyscrapers will soon become synonymous with the city's skyline. London, it seems, has its own version of these gargantuan structures in the works – a 280,000 sqm European headquarters set to dwarf even the Shard.
JP Morgan's aggressive real estate expansion is just another chapter in New York City's long history of prioritizing corporate interests over public spaces and aesthetics. As the city becomes increasingly shaped by unbridled capital and self-interest, it remains to be seen whether Foster's gargantuan skyscraper will bring any lasting value or beauty to its surroundings – or simply serve as a monolith to JP Morgan's power.
A gargantuan lump of structural steel has burst onto the Manhattan skyline, climbing in bulk like a behemoth from the depths. Its sheer scale defies comprehension, with 95,000 tonnes of steel used in its construction – enough to wrap around the world twice. The building's designers boast that it will be an iconic landmark, but for many, it looks more like a hulking monstrosity that threatens to engulf everything in its path.
JP Morgan's new headquarters is a 60-storey, $4bn skyscraper with a 'fortress balance sheet'. Chairman Jamie Dimon wants to assert his bank's dominance over the global economy. However, the building's design does not live up to its boastful claims. The structural steelwork is far more extensive than necessary, using 60% more metal than the Empire State Building – an imposing structure that has stood tall for generations.
While its sleek granite exterior boasts an impressive facade of carved boulders designed by Maya Lin, at street level, the tower erupts from the sidewalk with monstrous steel columns that fan out in all directions like giant fingers. The once-vibrant Union Carbide headquarters was demolished recently to make way for this new behemoth. Just seven years after undergoing a major renovation, it was torn down without any thought for its environmental impact.
JP Morgan's aggressive expansion has sparked outrage among locals and architects alike. Critics point out that the building's design prioritizes raw power over elegance and functionality. Engineer calculations have revealed that with some tweaks to the design, the carbon footprint of the tower could be reduced by 20-30%. However, it seems that cost – and ego – are more important than aesthetics in this massive corporate headquarters.
In a wider context, this building is part of a growing trend of supertalls sprouting up across Manhattan. With Foster+Partners as their architect, these skyscrapers will soon become synonymous with the city's skyline. London, it seems, has its own version of these gargantuan structures in the works – a 280,000 sqm European headquarters set to dwarf even the Shard.
JP Morgan's aggressive real estate expansion is just another chapter in New York City's long history of prioritizing corporate interests over public spaces and aesthetics. As the city becomes increasingly shaped by unbridled capital and self-interest, it remains to be seen whether Foster's gargantuan skyscraper will bring any lasting value or beauty to its surroundings – or simply serve as a monolith to JP Morgan's power.