The biopic of Richard Burton's life serves up an hour-long documentary that adds a touch of glamour to the actor's well-known story thanks to a cast of colorful contributors, including family members and former co-stars.
Burton's rise to fame was nothing short of meteoric. After being spotted by theatre producer Binkie Beaumont in a college production of Measure for Measure, he was catapulted into stardom overnight in 1952 as the lead in My Cousin Rachel opposite Olivia de Havilland. This early success set him on a path of excess and extravagance, with Burton's life becoming synonymous with high-stakes relationships, drinking, and debauchery.
The documentary attempts to spin this narrative as some sort of tragic love story, where Burton was driven by an insatiable appetite for passion and excess. His marriage to Elizabeth Taylor is portrayed as a whirlwind romance that left everyone awestruck. However, the film's tone veers perilously close to hagiography, with nary a criticism in sight.
It's worth noting that this approach may be too convenient, especially given Burton's complicated personal life and questionable treatment of those around him. His marriage to Taylor was marked by intense passion but also by tumultuous arguments, accusations of infidelity, and the eventual accusation of "erotic vagrancy" from the Vatican, which ultimately led to their divorce.
The documentary ends with a fleeting analysis that attempts to justify Burton's excesses as a form of creative expression. However, this comes across as little more than an attempt to salvage his reputation rather than genuinely examining the costs of his choices.
One can't help but feel that the film is stuck in a bygone era, where the concept of a "wild genius" – an actor whose passion and excess are celebrated as part of their artistic persona – feels woefully outdated. It's time for a more nuanced exploration of Burton's life, one that acknowledges both his triumphs and failures without resorting to sanitized myth-making.
Burton's rise to fame was nothing short of meteoric. After being spotted by theatre producer Binkie Beaumont in a college production of Measure for Measure, he was catapulted into stardom overnight in 1952 as the lead in My Cousin Rachel opposite Olivia de Havilland. This early success set him on a path of excess and extravagance, with Burton's life becoming synonymous with high-stakes relationships, drinking, and debauchery.
The documentary attempts to spin this narrative as some sort of tragic love story, where Burton was driven by an insatiable appetite for passion and excess. His marriage to Elizabeth Taylor is portrayed as a whirlwind romance that left everyone awestruck. However, the film's tone veers perilously close to hagiography, with nary a criticism in sight.
It's worth noting that this approach may be too convenient, especially given Burton's complicated personal life and questionable treatment of those around him. His marriage to Taylor was marked by intense passion but also by tumultuous arguments, accusations of infidelity, and the eventual accusation of "erotic vagrancy" from the Vatican, which ultimately led to their divorce.
The documentary ends with a fleeting analysis that attempts to justify Burton's excesses as a form of creative expression. However, this comes across as little more than an attempt to salvage his reputation rather than genuinely examining the costs of his choices.
One can't help but feel that the film is stuck in a bygone era, where the concept of a "wild genius" – an actor whose passion and excess are celebrated as part of their artistic persona – feels woefully outdated. It's time for a more nuanced exploration of Burton's life, one that acknowledges both his triumphs and failures without resorting to sanitized myth-making.