Chiten Theatre's The Gambler is a frenetic, visually striking adaptation of Fyodor Dostoevsky's 1866 novella, which tells the story of Alexei Ivanovich, a roulette addict who wagered his publishing rights on completing the book to pay off his debts. Watching this production will leave you breathless, especially if you're not familiar with the plot.
Delivered in Japanese at breakneck speed, the show features a dizzying array of kooky dancing, spinning sets, and onstage rock trio Kukangendai adding to the theatrical onslaught. The production is constructed from fragments of Dostoevsky's text, which charts Alexei's financial and romantic fortunes as he tutors for a family.
The set design is particularly noteworthy, with Itaru Sugiyama's roulette-wheel creation spinning furiously not just by its own mechanism but also through the increasingly frenzied pushes of an exhausted Alexei. Above the wheel, a circle of LEDs glows in series, tracking the roulette ball on which so many fates hang.
Director Motoi Miura takes a stylized approach to dialogue and movement, emphasizing characters' financial precarity with chest-tightening effect. The cast is ably led by Takahide Akimoto as Alexei, whose ferocious monologues reveal the depths of his obsession with roulette and the danger that lies within.
Satoko Abe shines as Grandmother, bringing much-needed humour to the production, while Mademoiselle Blanche's deadpan delivery adds a layer of complexity to the plot. The show is not for those who enjoy watching characters develop through their relationships; instead, it focuses on the panicked slog of addiction.
Ultimately, The Gambler is an immersive experience that will leave you gasping for air. If you're willing to dive into its frenetic world, you'll be rewarded with a thrilling ride through the highs and lows of Alexei's chaotic life.
Delivered in Japanese at breakneck speed, the show features a dizzying array of kooky dancing, spinning sets, and onstage rock trio Kukangendai adding to the theatrical onslaught. The production is constructed from fragments of Dostoevsky's text, which charts Alexei's financial and romantic fortunes as he tutors for a family.
The set design is particularly noteworthy, with Itaru Sugiyama's roulette-wheel creation spinning furiously not just by its own mechanism but also through the increasingly frenzied pushes of an exhausted Alexei. Above the wheel, a circle of LEDs glows in series, tracking the roulette ball on which so many fates hang.
Director Motoi Miura takes a stylized approach to dialogue and movement, emphasizing characters' financial precarity with chest-tightening effect. The cast is ably led by Takahide Akimoto as Alexei, whose ferocious monologues reveal the depths of his obsession with roulette and the danger that lies within.
Satoko Abe shines as Grandmother, bringing much-needed humour to the production, while Mademoiselle Blanche's deadpan delivery adds a layer of complexity to the plot. The show is not for those who enjoy watching characters develop through their relationships; instead, it focuses on the panicked slog of addiction.
Ultimately, The Gambler is an immersive experience that will leave you gasping for air. If you're willing to dive into its frenetic world, you'll be rewarded with a thrilling ride through the highs and lows of Alexei's chaotic life.